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Liana's Extensive Reading Journal
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I forgot to mention one thing in yesterday’s manifesto: I keep track of my progress by the number of words I’ve read. My initial goal, like that of many other beginning extensive readers, is to read a million words. I track my progress because it’s motivating and doesn’t take much time, and I started by using words instead of number of books or number of pages because that is what my friends doing extensive reading in English do, but I’ve stayed with it because it reflects effort better: with number of books, one 2,000 word book doesn’t seem as impressive as five 400 word books, and with pages, a book with 1,500 words and one with 3,000 words might be just as long, but the easier book has bigger text and more pictures.

I estimate the number of words by flipping through the book and trying to find a page with a moderate amount of text; some pages have more, some pages have less, so I look for one that’s about in the middle. Then, I count the number of words. I omit particles but count things such as ながら and まで, and I count long verbs separately — that is, something like 描いてくれました would be two words, in my system. I tend to round down – so if there’s 37 words on the page, I’ll count it as 35. Then I count the number of pages with text on them — not the total number of pages — and multiply that by my representative word count.

I think the system’s biggest flaw is that I decided not to count particles, and now I think I should have; English word counts include words like “a” and “the,” and particles are hardly just empty characters. So now I suspect I’m significantly low-balling my word counts, and that a million words by my system would be a lot more than a million words of English. That actually feels right, because I feel I’m a lot closer to my goal than my current percentage of 16% would indicate. I bet that character count would be the best way to keep track of progress, because that you could theoretically do accurately — you’d probably just need cooperation from publishers.

Still, even if my system is objectively wrong, it’s at least consistent. There are exceptions, but a level 1 book is usually between 50-100 words, level 2 books between 100-1,000 words, level 3 books between 1,000-3,000 words, level 4 books between 3,000-5,000 words and level 5 books between 5,000-10,000 words.

I also use 読書メーター (Reading Meter) to track what I’ve read; it has graphs that show the total number of pages and total number of books read. I don’t really have any reason to do so, other than that I am a sucker for cheerful graphs.

I don’t mind the inaccuracy at the moment (I like having a crazy goal) but it might be worth revisiting. Thoughts?

 

I’ve been thinking about a post on Ryan Layman’s blog about how he recommends avoiding children’s books. It’s apparent I take precisely the opposite approach, but that post made me spend some time thinking about why I think extensive reading starting with extremely basic books is worth my time and that of other learners, as previously my reasons didn’t go much deeper than “This is what works for people I know, it’s currently working for me and I enjoy it!” I am all for doing whatever complements your personal learning style to gain fluency, and I’m by no means interested in insisting that all Japanese learners do exactly what I’m doing. I do think, however, that there are advantages to this method that greatly outweigh the disadvantages of being initially limited to materials meant for children and not reinforcing kanji through reading, and I would suggest that other learners consider adding it to whatever they already enjoy doing.

The most basic reason I’ve started with children’s books is that I’m mimicking what I’ve seen work for my Japanese friends who introduced me to extensive reading. In October 2009, I started using lang-8, which is a site where people write diaries in their target language and native speakers of that language correct their writing for them. I met a couple of people through lang-8 who were into extensive reading (多読 — tadoku in Japanese), and the first thing I noticed was that their English writing was admirably fluent. Keep in mind that my job is reading and evaluating essays written in English by non-native speakers for eight hours at a time, so I’m sensitive to differences in writing ability. They wrote at a high level, but in a different way from people who had lived abroad for a significant period of time, and also in a different way from people who had obviously also spent a great deal of time studying and using English, but hadn’t used the same method. I soon learned that they enjoyed reading in English and had started with extremely simple children’s books, but now were able to pick up books as advanced as the Sherlock Holmes stories and Confessions of a Shopaholic and read them rapidly and accurately.

It was from them that I learned the three principles of extensive reading that they followed:
1. Don’t look up words in the dictionary.
2. Skip over parts you don’t understand.
3. If you aren’t enjoying one book, toss it aside and get another.
These principles were created by Kunihide Sakai, a retired English professor who champions extensive reading, and loosely translated from his site tadoku.org.

I started learning Japanese because I studied Japanese literature in college and I’m a fan of Japanese video games, so my most cherished goal in terms of my language studies is to be able to read Japanese at an adult level for fun. In other words, what they had was what I wanted, and if they got there by reading nothing but kids’ books for a year, then by golly I was not too proud to read nothing but kids’ books for a year. I have always loved reading in English, so for me the idea of improving through lots and lots of reading makes intuitive sense and plays to my strengths. I’m willing to follow the path that’s already been laid out because it happens to mesh with my personality and I have evidence it works for someone who’s dedicated.

To recap my approach, I follow the three principles listed above*, I keep track of the number of words I’ve read, and I started reading with extremely simple children’s books. When I say “extremely simple” here, I don’t mean “Harry Potter” or “short stories by Haruki Murakami.” I mean “Miffy In The Tent” and “Kumako-chan’s Polka Dot Handkerchief”: books that were well below what I could actually comprehend. (Heck, according to this interview with Professor Sakai, he started students off with books where the only text was in the title. That’s pretty hardcore.)

I consider fluent reading to be reading without translation and with a high degree of understanding at a speed comparable to my English reading speed. Books within one’s fluent reading level should have between zero and four unknown words per page; more unknown words than that, and it starts to impede understanding. I personally prefer books that are just a shade or two below my fluent reading level, but books that are at my fluent reading level are all right, too; however, I avoid books above my fluent reading level. I don’t use a dictionary while reading, and it took me a while to gain the confidence I needed to do this, but after I stopped, I started seeing more benefits from my reading and enjoying it more. On occasion I will look up something after I have finished a book, but I would rather go on to the next book instead.

*There’s one exception to this: if I’m bored with a book, but it’s within my level and I’m not actually having trouble with the content, I keep reading it so I can add it to the list in hopes that the knowledge may be useful to someone else. If I wasn’t doing this sort of blog, I would happily chuck such books off to the side.

My reading skill has improved noticeably since I started extensive reading, particularly in the months after I finally broke the habit of using a dictionary and started reading more and more, so at least in my case I can say that this method is paying off. When I started dabbling in extensive reading last spring, I started off at about level 2, when I started my blog about three months ago, I had been devoting more time to reading for a couple of months and I was about at level 3 or 4, and now I consider level 5 books within my fluent reading level and Japanese I read online seems to jump into my eyes differently than it did before.

I do think it’s crucial to stay with text within your fluent reading level and not to use a dictionary while reading, because I have experience with doing just the opposite and it did not give me these kinds of results. For example, I spent hours and hours playing Japanese RPGs long before I heard of extensive reading; I was highly motivated to understand them, and there’s no doubt that they exposed me to a great deal of text. I think that, more than anything else, was what helped me understand Japanese as a flexible, living language and not a collection of set phrases and grammar rules, and I did improve my reading and my recognition of kanji while playing them: I feel, however, that in terms of overall reading skill extensive reading has been of more value to me. That is, spending a great deal of time and effort on understanding a video game that was well above my level but of great personal interest improved my ability to play that particular video game, but only helped me slightly with the next one. Extensive reading has helped me improve my basic reading skill, which makes everything a little easier, including video games.

I also tried regular reading long before I heard of extensive reading. I picked up books that looked interesting, books that looked like they should be simple and books I had already read in English, and then I spent who knows how long poring over them, looking up vocabulary words and making hopeful little flashcard sets. I rarely got more than a chapter in. I thought the problem was with me, and I just needed to practice more and stop giving up so easily, but now I can see that I was just setting my sights too high without having the broad base of vocabulary and reading experience necessary for such material.

I also spent a great deal of time using lang-8 before I even tried extensive reading, both writing diaries and responding to comments and messages in Japanese: this definitely helped my reading skill, as this kind of text was very different from video game Japanese. Before I started, piecing together the meaning of a long and complicated message in Japanese easily took me all day; after four or five months, that dropped to a few hours. However, it was still essentially decoding. I was able to comprehend the text, that is, but it wasn’t at all within my fluent reading level.

These three experiences, combined with the results I’ve seen from low-level extensive reading, make me believe that it isn’t just exposure to large amounts of interesting, but high-level text that makes the difference. I learned a lot about reading from video games, the books I tried to read and lang-8, but I think that it was reading a huge amount of text well within my fluent reading level that had the greatest effect on my basic reading skill; I perceive that it’s changed something about the way I process Japanese that doing a great deal of decoding, being exposed to lots of high-level text and even near-daily writing didn’t. Obviously I’ve been spending much of my free time on extensive reading lately, but I’ve spent much more energy on trying to read videogames, high-level books and lang-8 comments, so I don’t think the effort I’ve expended on extensive reading is the deciding factor. I think it’s just the case that successful, comfortable reading leads to improvement in one’s reading skill more than anything else does.

I should note, as well, that my own personality and what I’m trying to do with this blog affect the way I approach reading. I personally get uncomfortable if I know I’m not understanding something, so I have a tendency to read below my fluent reading level as long as I have enough material to do so. The jargon I would use, if I was writing about myself as part of a study, is “nonexistent low ambiguity tolerance.” Others might prefer to push themselves, and that’s an equally valid approach: part of the benefit of starting with extremely simple books is that you learn what fluent reading feels like to you, so as you improve, as long as you’re honest with yourself about where the boundary between “challenging but within fluent reading level” and “too hard” lies, you’re fine. After all, rule 3 (stop reading a book you don’t enjoy) applies not only to books that are too hard, but also to books that are distractingly easy.

Also, I hope to introduce extensive reading to other Japanese learners in the area, so I feel like I have to know more about the level 1 and 2 books I have access to so that I can help even beginning learners get into extensive reading as well. If it wasn’t for that, I’d be well done with level 1 and 2 books, except for ones that are particularly fun like the ばけばけ町 books.

So I want to emphasize that starting extensive reading is not the same as sentencing yourself to easy books forever. That said, even though doing extensive reading doesn’t necessarily mean you would have to stick with low-level children’s books as long as I have, here’s why I believe they have value.

In my opinion, there are four things you can get from reading anything:

1) The sense of satisfaction you get from understanding and finishing the text

This feeling is something you might not think a well-adjusted adult would get out of reading an easy book, but when that book is in another language, it changes the entire context. Before you can read a book in Japanese, even an easy one, you have to tie together a great deal of knowledge. You have to be able to link a syllable’s pronunciation to the writing system, know how to separate words and particles, be able to quickly recall vocabulary, use grammar knowledge to understand the intended meaning, cope with non-standard uses of the language and be able to skip over or figure out unknown words from context. Not only that, but you have to learn to do all these things automatically, so you can pay attention to the story, messages and background information. Reading a book within your fluent reading level is the culmination of a great deal of effort; looking down on it as something even children can do is missing the point.

2) The actual information presented in the text

For a fiction book, this is the story, and for a non-fiction book, it’s the information about whatever the subject is, sometimes presented as a story. At any difficulty level, there are books with excellent stories or nicely presented information. Not all of them, it’s true, as Sturgeon’s Law holds in this field as surely as it does in any other. Enough, though, to make it impossible to dismiss every single one of them; enough to make it worth your time to find books that amuse you while helping you reach your reading goals.

Particularly at the higher levels – say, high level three and over – it becomes easier to find books with engaging stories. (Picture books that stand out, I find, mostly do so because of their pictures, although some are genuinely witty and pleasurable to read.) For me personally, dealing with the easier books was not a problem because I like fairy tales, stories about children and nonsensical fantasy, but even for someone with a lower tolerance for such things, I think much of what I’ve read could be interesting. I joke about reading lots of stories about happy bears baking cakes, but that’s really just a small part of what I’ve read; more memorable are the stories where I got a peek into a family’s joys and arguments or the ones about a child’s struggles with school and daily life. Also, because of this project, I’ve read about subjects as varied as daily life in the Edo period, how monkeys hang out in onsens in the winter and how Sun Tzu got a group of concubines to act like soldiers.

So when I say that it can be worth an adult’s time to read kids’ books for their content, I don’t mean that you’re somehow a better and more pure person if you can enjoy fairytales. I think that good books for children can add value to an adult perspective on life or contain useful information. “Children’s book” doesn’t automatically mean “fluffy, mindless dreck written to torment children and bore adults.”

3) Some form of improvement in your language skill

That is, reading aids in reinforcing vocabulary and structures you already know and becoming able to understand them automatically, learning new words and collocations, identifying who’s talking about what and so on. It also includes the development of high-level skills such as being able to recognize differences in writing styles, forming a sense of what constitutes good writing and bad writing and being able to complete sentences that are left unfinished. Every book within your fluent reading level that is able to sustain your interest long enough to finish it will help you develop these skills.

Reading is sometimes a more frustrating way of learning vocabulary than flashcards are, but I’ve found that puzzling out an isolated word from context makes it more thoroughly mine. If I make a vocabulary list of 100 unknown words from one book the odds are high I will only remember a small number of them, but if I read 100 books that draw on that pool of unknown words, every time the words are repeated in a different context they become a little more accessible to me and I have a better chance of figuring out what they mean and retaining them. Plus, an interesting book provides an opportunity to create an emotional connection with a word in context, making it much more likely I’ll remember it.

Low-level books also create a great environment for learning words: as you read you’re automatically and repeatedly exposed to the words used for things like descriptions of characters and places, connections between thoughts, details of the actions and movements characters make and so on. Finally, don’t underestimate what a tremendous advantage pictures are! I hardly realized this until I started reading picture books, but the pictures aren’t just there to amuse the reader: they’re there to help readers make a connection between the information they already know and the information in the story. I find that if I don’t know one pivotal word, I often don’t remember the words that support it, but once I get that pivotal word, the others just fall into place; a picture is a shortcut to realizing what that word might be.

4) Background information about the cultural context of the story

Every book is sharing messages and information with you that aren’t immediately obvious. Even the most basic kids’ book says things like “Authors, publishers, librarians, teachers and parents think that this material is appropriate, both in terms of language and content, for children” and “Children are expected to like this material and the way it is presented.” Underlying messages may be obvious in things like fables and heavy-handed kids’ books (“Bullying is bad,” perhaps, or “It’s good to be friends”) and much less of a presence in other works, where the message may be as vague as “This subject deserves attention” or “This is the sort of thing I hope will make me money.” On a higher level, each book will have linguistic information such as “Refined women talk in this particular way” or “This is how someone might reply to a question when they don’t want to answer it” as well as background cultural information such as “This is how a couple might fight,” “Children love curry rice,” “Here is how to make friends,” “It’s acceptable for a married couple to live separately because of work obligations,” and so on.

All these things are fascinating to me, and so much of it you can’t necessarily get anywhere else: even if you live in Japan, for example, you aren’t likely to have a window into the daily dynamics of a first-grade classroom unless you happen to work in a school. This may be part of why I don’t feel bored or condescended to by even a simple book: as an adult raised in another culture, I feel rather like an alien researcher at times.

I’ll be quite honest: out of, say, a hundred books that I’ve read, I would only buy about five of them. There are about ten more that I’m content letting the library store for me, if I want to re-read them at some point. The remaining eighty-five? I can honestly say I enjoyed most of them, and every single one of them helped improve my reading skill and provided me with some sort of background information, but they weren’t terribly memorable and I’m never going to read them again. To put it another way, those books were fodder. My only requirement was that they be interesting enough to keep me reading until the end, because I wasn’t reading them for their own sake: I was reading them to add what I can to the broad base of vocabulary, cultural knowledge and so on that I will need to read higher-level texts. So you could say that in terms of extensive reading I value a book for three things: its story or information, its background information and messages, and its potential to add to my language skill. I can’t think of a single book I’ve read that has failed me on all three counts.

Not everyone will want to spend their time reading a book only for the benefit of being exposed to its sentence structures and background information, which is part of why I’m writing about these books as I go, in hopes that other readers can go straight for ones that sound interesting. There are enough Japanese children’s books that it should be possible to read hundreds that not only build your skill and background knowledge but are all interesting or informative in their own right, and spend little or no time with happy talking animals if that is what you prefer. Unfortunately, as far as I know, English speakers learning Japanese don’t have the extensive reading resources that Japanese speakers learning English do, so the biggest problem with extensive reading is neither starting at a low level nor the lack of kanji, but instead identifying and gathering the required materials. This is something I will be writing about a good deal in the future. (And by now, I imagine you believe me when I say I can write a good deal about something.)

If it is genuinely so boring to read a couple thousand words of kids’ books that it hampers your overall progress, by all means don’t do it. But I think for many people, the issue isn’t whether or not it’s boring, because we as language learners are used to repetitive tasks and delayed gratification; the problem is the ego getting in the way. If you think less of yourself, or think others will think less of you, for spending time on books you wouldn’t even look at were they in English, if you get annoyed at picking up a kids’ book and finding words you don’t know, or if you don’t see the point of reading easy things and think that it would be more worthwhile to spend your time on something harder, even if it’s outside of your fluent reading level, that all will affect how you approach extensive reading. Picking up an easy book can feel like admitting, to yourself and to the whole world, that after all of your hard work on kanji and particles and advanced vocabulary, this is still the level that’s comfortable for you. I sympathize. I mean, I’m writing this blog, so I really have admitted to the whole world “I love the Miffy books!” Add that to the feeling that you might have to bore yourself with several expensive books worth of baby bunnies, and I can see why someone wouldn’t want to try it: God knows grammar is boring, too, but at least it doesn’t make you feel ridiculous. The easy books stage is, however, just temporary, and it’s in service to the larger goal of reading whatever you want.

I do agree that the lack of kanji in easier books is backwards and annoying to adult learners who have been learning kanji nearly from the beginning of their studies, and books written in all or mostly hiragana are harder than books at the same level with a generous amount of kanji. Hiragana prevents you from making those connections between words that kanji is so useful for; there has been more than one time where I’ve been reading a book and thought “I can guess the meaning of this unknown word just fine from context, but if it was written in kanji, I’d have a much better chance of remembering it next time I see it.” It also aids quick, automatic vocabulary recognition, which is a big part of reading, because it’s slightly faster to read kanji that you know than the corresponding hiragana. Also, when I’m reading a long string of hiragana with no spaces, the more unknown words it contains, the more likely it is that I’m barely paying attention by the end of the sentence, because it becomes frustrating to try to understand which word ends where. Kanji almost serves the purpose that spaces do in English, because even if you’ve never seen the kanji before in your life it at least tells you “This probably starts a new word.”

The lack of kanji just isn’t a dealbreaker for me, though, because I don’t read to improve my kanji: I read to improve my reading. Reading ability is not solely based on how much kanji you know: it’s the simultaneous application of several skills, of which kanji knowledge is just one. Not to downplay the importance of kanji, because it really is the largest barrier to full literacy in Japanese, but you also have to be able to understand complex sentences without having to stop and think about them, sort out and make use of unknown information, read long strings of hiragana, read words without depending on the kanji (as sometimes authors choose to not use kanji for stylistic reasons, or play around with differences between the expected reading and the given one), predict upcoming content, supplement the text with the cultural information you already know and summon your entire stock of vocabulary. In any case, as my reading level increases kanji starts making its way into the picture, and I predict that most of my goal words will be supplied by level 5 and 6 books, so I don’t think that I’ll be missing out on kanji practice over the long term. Ideally, kanji and reading should reinforce each other, and I personally love kanji, but if I’ve got to choose between them for now I choose to spend my time reading. There are other ways to study kanji, but the only way to improve your reading skill is to read, and in my experience reading above your fluent reading level is not as effective as reading within it.

This is slightly off-topic, but a big reason I’m writing about why I believe extensive reading is a worthwhile technique is that I cannot be the only slow language learner out there! A lot of the writing done by native English speakers about extensive reading in Japanese presumes a high level of fluency, and a lot of people who want to try reading in Japanese start with Haruki Murakami or Harry Potter or their favorite manga. If you can honestly say you read those things quickly — comparable to your English reading speed, and without translation — and you only run into two or three unknown words per page which you can figure out from context or skip over without sacrificing understanding, then that’s fantastic. But I think that this can give the impression that extensive reading is only for people who could pass JLPT 1, or that reading comes naturally to a lucky few but if you can’t understand high-level books right off the bat, the problem is with you and you should continue studying textbooks until you can read these sorts of texts. I think it’s just the other way around: even beginning students should be able to get something out of extensive reading, and if they learn basic skills such as learning to deal with unknown words and quickly reading hiragana near the beginning of their studies, I would guess that such skills combined with whatever else they do to study should help them become proficient readers.

So there you have it: an overview of why I practice extensive reading, the reasons I think that starting with children’s books isn’t a drawback and my thoughts about reading and kanji. I hope that this has been of some interest to you and, even if it doesn’t sound like your thing, that it made you think about your own tactics and approach to reading. And yes, I hope you try extensive reading and try it in this particular way, and that you love it, write excited blog posts about it and spread the word about tadoku!

If you’d like to know more about extensive reading, I suggest you start with these pages:

  • “What Is Extensive Reading?” by the Japanese Graded Readers Research Group, which created and published the only extensive readers currently available for Japanese learners.
  • The Extensive Reading Pages, which is mostly geared towards English teachers but has plenty of general information.
  • Interview with Kunihide Sakai, which describes how he actually conducted his classes.
  • The SSS Extensive Reading Method, which goes into more detail about learning English in Japan through extensive reading; on this page, you can see some of the materials English learners have access to, such as books that catalog appropriate reading material and word counts.
  • tadoku.org is, as I mentioned before, Professor Sakai’s website; it’s in Japanese, but if that doesn’t faze you the message board is a great place to meet other extensive reading enthusiasts, sometimes known as “tadokists.”

I’m up to 154,786 words, which is around 25,000 more words than I had last week, and it’s all thanks to Nikkei Bunko providing me with a healthy supply of level 3/4 books. At the moment the books I like best are books written for first and second graders, level 3 books by my system, that have between 1,000 and 3,000 words; I predict that by the time I reach 250,000 – 300,000 words, I’ll stop looking specifically for those kinds of books.

I’ve started tutoring a friend of mine in Japanese; aside from some words she’s picked up from anime, she’s a complete beginner. I want to try extensive reading as part of what she’s learning right from the start, in some capacity or another, so I expect I’ll have a lot to say about that in the upcoming months.

Also, my tadoku friend Emmie has agreed to do the most wonderful thing for me! She’ll let me order books online and have them sent to her, then when they reach a certain amount, pack them up and ship them to me, after which I’ll pay her back for shipping. There are a lot of used books online that are so cheap that even after shipping, the total price still isn’t bad at all! I’m so excited about this it’s ridiculous.

 

ばけばけ町のべろろんまつり
Spooky Town’s Slurpy Festival
作/絵:たごもりのりこ(Tagomori Noriko)
Level 2 絵本, 32 pages, 350 words (est.) ★★★★★
Hardcover

If I was in charge of buying books for a high school or college extensive reading library, I’d get this one and the other two in the series, because everyone would be fighting over the chance to read them! For one thing, the wacky setting is much more fun than stories about happy bears baking cake, and for another thing, it really feels like something you’d never read in English. The human boy Ken and his tiger friend Torako get dressed up in yukata for the Slurpy Festival, a summer Japanese festival held in Spooky Town, a village of monsters and ghosts. There they meet a Jizō statue, Anguri Jizō, who leaves his shrine to join them in playing games, eating enchanted food and dancing. I won’t lie, the illustrations in this book would have terrified me when I was a kid, what with the three-eyed bunny and bakebakeyaki (like takoyaki, but with, shall we say, a side effect) but I think that’s precisely what older readers would enjoy! Its very weirdness helps make it feel less childish and more exotic. I would like to find more books like this one that are distinctively Japanese; it really helps you feel like you’re discovering something through your language studies that’s hidden from all those poor suckers that just speak English.

Difficulty
It’s a level 2 book with no kanji and spaces between words, and there are many pictures that help the reader understand what’s going on, but it’s a little more difficult than most level 2 books at this level because of the playful, conversational language. For example, in the sample text, there are words like いろんな(いろいろな)and でてる(でている)that might be difficult for a student who isn’t used to casual speech. It’s also filled with onomatopoeias; I would have had a better time on my first readthrough if I had known that べろろん meant something like “slurp” and あんぐり meant a gaping or wide open mouth, and more perceptive readers than me might be able to get this sort of thing from the pictures and context. So this book might be good for someone who has been reading long enough to be able to skip over unknown things and still enjoy the text.

Reading Tutor rates it as “normal,” mostly because of the non-standard, conversational language and onomatopoeias. It has no kanji.

Sample text (two pages of text)
「わあっ! いろんな おみせがでてるぞ」
あんぐりじぞうも ついてきちゃった!
「いちねんぶん あそばなくっちゃ、ぺろり!」
まずは ひとまわり。
「ねぇねぇ、しっぽつりだって」
「やってみる?」
だれが じょうずに つれるかなぁ?

How to get it
To get it from Kinokuniya at the time I write this, you would have to special order it for ¥1,300 (about $16 at the time of this writing) plus tax and shipping. (However, another one of the books is in store, if you don’t want to deal with special ordering.) It’s on Amazon too, for ¥1,365, or less if used; as always, don’t forget the high cost of shipping if you’re outside Japan. It’s also on YesAsia for $23.99. You can also look it up on WorldCat to see if it’s at a nearby library. (I got it from the Seattle library.)

Don’t forget to check out the other books in the series, “Moving to Spooky Town” and “The Spooky Town Burglar.”

 

This is an incomplete list of all the Level 6 books available from Nikkei Bunko, a Japanese-language library operated by the Japanese Cultural and Community Center of Washington; it’ll be updated as I keep reading them.

From Extensive Reading in Japanese, the definition of a Level 6 book:

Level 6: Easy unabridged books for adolescent native readers from twelve to fifteen years old. These books still include furigana; and there are few pictures. The content is more complex. Some specialized vocabulary items appear.

I’ve added Amazon links for the benefit of having title images and just in case anyone wants to subsidize my reading, but if you’re interested in ordering any of these, I’d also recommend you look them up on Kinokuniya’s website or YesAsia.com and compare prices and shipping costs. They may also be available at a library near you or be available through inter-library loan; you can look them up at WorldCat.org. Also, all title translations are my own unless otherwise indicated, names are family name first, then given name, and 作 and 絵 mean “author” and “illustrator,” respectively.

Placeholder post.

 

This is an incomplete list of all the Level 5 books available from Nikkei Bunko, a Japanese-language library operated by the Japanese Cultural and Community Center of Washington; it’ll be updated as I keep reading them.

From Extensive Reading in Japanese, the definition of a Level 5 book:

Level 5: Beginning at this level, material is quantitatively and qualitatively different from the lower levels. Level 5 books usually have more than 100 pages and fewer illustrations. Some kanji have furigana, but not all of them. Stories are fully developed and more detailed. Japanese native readers would be ten to thirteen years old.

I’ve added Amazon links for the benefit of having title images and just in case anyone wants to subsidize my reading, but if you’re interested in ordering any of these, I’d also recommend you look them up on Kinokuniya’s website or YesAsia.com and compare prices and shipping costs. They may also be available at a library near you or be available through inter-library loan; you can look them up at WorldCat.org. Also, all title translations are my own unless otherwise indicated, names are family name first, then given name, and 作 and 絵 mean “author” and “illustrator,” respectively.

心を育てる偉人のお話 光をかかげた人たち 3
Luminaries: Stories of Great People to Nurture The Heart #3
作:西本 鶏介(にしもと けいすけ, Nishimoto Keisuke)
絵:狩野 富貴子(かりの ふきこ, Karino Fukiko)
Level 5 本, 199 pages, 16,300 words (est.)

I was proud to finish this book, as it’s the longest one I’ve read so far. It contains 29 stories from the lives of inventors, politicians, authors and so on (both Japanese people and people from other countries), along with some basic biographical information about each of them. Its weakness was that it was slightly on the preachy side; even though most of the stories were interesting in and of themselves there was something about the presentation that became tedious, and it took me longer to get through it than it should have because I wasn’t motivated to finish. As far as its good points went, there were 29 short stories in all, I thought that the writing style was clear and easy to follow (important for such a long book) and they did a good job defining words that the reader might not know.

 

This is an incomplete list of all the Level 4 books available from Nikkei Bunko, a Japanese-language library operated by the Japanese Cultural and Community Center of Washington; it’ll be updated as I keep reading them.

From Extensive Reading in Japanese, the definition of a Level 4 book:

Level 4: Full texts with kanji and kana. Most kanji have furigana. The content is much richer and the length of a story could go over several volumes, but ample pictures help the readers. Most film comics are at this level. Japanese native readers would be eight to twelve years old.

I’ve added Amazon links for the benefit of having title images and just in case anyone wants to subsidize my reading, but if you’re interested in ordering any of these, I’d also recommend you look them up on Kinokuniya’s website or YesAsia.com and compare prices and shipping costs. They may also be available at a library near you or be available through inter-library loan; you can look them up at WorldCat.org. Also, all title translations are my own unless otherwise indicated, names are family name first, then given name, and 作 and 絵 mean “author” and “illustrator,” respectively.

とらねこにゃんのラブレター
The Tiger Cat’s Love Letter
作:上崎 美恵子(こうざき みえこ, Kōzaki Mieko)
絵:村井 香葉(むらい かよ, Murai Kayo)
Level 4 本, 95 pages, 4,000 words (est.)

To Miharu’s great surprise, one day a stray cat asks her to write a love letter for him. It seems that people in this world aren’t impressed by talking cats; for example, the letter is inevitably found and Miharu’s classmates think she wrote it to someone, and I just kept thinking “Hey, produce the talking cat as evidence and that should shut everyone up” but no dice, apparently. Instead, things just kept getting worse…

絵で見る日本の歴史
An Illustrated History of Japan
作/絵:西村繁男(にしむらしげお, Nishimura Shigeo)
Level 4 絵本, 80 pages, 900 words

Currently writing a longer review of this book; will link to it when I’m done.


中国の歴史1 戦国の兵法家
Chinese History #1: The Tacticians of the Warring States Period
シナリオ:武上 純希(たけがみ じゅんき, Takegami Junki)
作画:西村 緋祿司(にしむら ひろし, Nishimura Hiroshi)
Level 4 漫画, 128 pages, 2,500 words (est.)

This first book in a series of educational manga about Chinese history illustrates the life of Sun Bin; it uses a lot of hard kanji and direct quotes from his writings, but balances out the difficulty by including footnotes and a cat and mouse duo who provide commentary and ask questions.

はれときどきぶた
Fair, Then Partly Piggy (official title)
作/絵:矢玉 四郎(やだま しろう, Yadama Shirō)
Level 4 本, 79 pages, 3,000 words (est.)

Encouraged by his third-grade teacher, Noriyasu starts to keep a diary: she tells him he doesn’t have to show it to anyone, so he can write about his life openly, but when he does so, he’s shocked to discover his mom reading it. He determines to surprise his mom without writing untrue things by making up events for “Tomorrow’s Diary,” but every night he writes something, it comes true the next day… This was recommended to me by someone on lang-8, and I really enjoyed it for Noriyasu’s thought processes and the peek into his family’s life.

ピピッとひらめくとんち話
Tales of Sparkling Wit
作:木暮 正夫(こぐれ まさお, Kogure Masao)
絵:原 ゆたか(はら ゆたか, Hara Yutaka)
Level 4 本, 95 pages, 4,000 words (est.)

I’m writing a longer review of this one, so I’ll link to it when it’s done.

 

This is an incomplete list of all the Level 3 books available from Nikkei Bunko, a Japanese-language library operated by the Japanese Cultural and Community Center of Washington; it’ll be updated as I keep reading them.

From Extensive Reading in Japanese, the definition of a Level 3 book:

Level 3: Kana and kanji are mixed, but the book is mainly written in hiragana. Furigana is provided for any kanji in the text. The content is not only fiction, but may also contain facts or accounts of some natural phenomena. Pictures are the main feature of the book. Japanese native readers would be six to ten years old.

I’ve added Amazon links for the benefit of having title images and just in case anyone wants to subsidize my reading, but if you’re interested in ordering any of these, I’d also recommend you look them up on Kinokuniya’s website or YesAsia.com and compare prices and shipping costs. They may also be available at a library near you or be available through inter-library loan; you can look them up at WorldCat.org. Also, all title translations are my own unless otherwise indicated, names are family name first, then given name, and 作 and 絵 mean “author” and “illustrator,” respectively.

ピザパイくんたすけてよ
Help Us, Mr. Pizza!
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 77 pages, 1,400 words (est.)

The ghost Acchi lives in a restaurant; at first he’s content just to sample the food, but after a while he learns to cook. Once word gets out that the restaurant is haunted, however, no one comes to it anymore. Acchi feels responsible… how can he turn things around and make people want to visit?

エビフライをおいかけろ
Chase the Fried Shrimp!
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1,400 words (est.)

So it seems there is a whole series about this cooking ghost Acchi, and Nikkei Bunko has a lot of them. In this installment, Acchi is aiming to pass a prestigious test, but he and his friends have to solve some riddles to even know what it is he’ll be required to cook.

忍たま乱太郎 ありったけ・これったけの段
Rantarō the Ninja Boy: The Arittake Mushroom and the Korettake Mushroom
原作:尼子騒兵衛(あまこそうべえ, Amako Sōbē)
文:田波靖男(たなみやすお, Tanami Yasuo)
絵:亜細亜堂(あじあどう, Ajiadō)
Level 3 本, 78 pages, 1,500 words (est.)

Hey, if you’re sick of happy bunnies and kindergarteners, maybe some ninja children might be up your alley? It seems that this is a book adaptation of an anime that was based off of a manga. Maybe that makes it more legit to the book purchasers of the world? 有りっ丈 apparently means “everything one has” (as in to give it all you’ve got”) and 茸 (たけ)is “mushroom,” so I guess the title is something of a play on that.

おひめさまがっこうへいく
The Princess Goes To School
作:まだらめ 三保(まだらめ みほ, Madarame Miho)
絵:国井 節(くにい せつ, Kunii Setsu)
Level 3 本, 78 pages, 1,500 words (est.)

I read one of this series early on — it was, I think, the very first Level 3 book I read without a single peek at a dictionary, and in order to keep from the temptation of looking words up I had to draw a bath and stay in it until the book was quite over and the water was quite cold. Revisiting the series with this book and the next one on the list was a pleasure, since books like these have become significantly easier since then. In any case, I find this princess charming, and I’ll explain why in the next entry. But yes, in this installment the princess attends school, and what a school it is.

おひめさま ケーキをつくる
The Princess Makes A Cake
作:まだらめ 三保(まだらめ みほ, Madarame Miho)
絵:国井 節(くにい せつ, Kunii Setsu)
Level 3 本, 85 pages, 1,500 words (est.)

When I wrote the mini-review of the first book in this series I read, I wrote that it might be a good series to explore if you have a high tolerance for princesses. Well, I do indeed have a high tolerance for princesses, as you might have noticed if you’ve seen my paperdoll blog, so I picked up the two that were at Nikkei Bunko. This series has a twisted, childish logic that makes it more fun to read than many other books at this level, which run the risk of becoming slightly earnest. These books aren’t earnest, just goal-oriented: the Princess has a problem, so she solves it and hey presto, no more problem! (At least for the time being.) There’s no second-guessing herself, self-reflection or common sense to get in the way: she just does what she wants to do, and what she wants to do is generally pretty loony. She’s rather an admirable little character in that regard.

きいろいばけつ
The Yellow Bucket
作:森山 京(もりやま みやこ, Moriyama Miyako)
絵:土田 義晴(つちだ よしはる, Tsuchida Yoshiharu)
Level 3 本, 75 pages, 1,000 words (est.)

A young fox comes across a bucket, seemingly abandoned. He’d like it for himself, but doesn’t want to just take it, so he and his friends decide that if no one comes for it in a week, it would be all right to claim it.

いたずらまじょ子の王女さまになりたいな
The Impish Little Witch: If Only I Could Be A Princess
作:藤真知子(ふじまちこ, Fuji Machiko)
絵:ゆーちみえこ(Yūchi Mieko)
Level 3 本, 102 pages, 2,200 words (est.)

A decidedly cute little book about a girl named Arisa, a witch (the Majoko of the title) and their interactions with royalty. It’s divided into three stories, and the first and last stories are nice enough, but it was the second story I liked best, where the two girls meet all sorts of, shall we say, defective princesses. If you have problems remembering the kanji or word 胃 (stomach), it would probably be etched in your memory by the episode with the princess who loved food so much she had had surgery to install a second stomach and tried to steal the stomachs of the two girls for future use.

世界の童話29:日本の絵話
Fairy Tales from Around the World #29: Japanese Illustrated Stories
Level 3 絵本, 103 pages, 3,600 words (est.)

A collection of Japanese stories written and illustrated by different authors and artists; some of the illustrations are gorgeous (such as the ones for the first story, The Girl With A Bowl On Her Head) and it’s a shame you can’t even see the front cover on Amazon. Also, all of the stories are memorable. I don’t know how widespread they are, but I had only read one of them before, “The Split-Tongue Sparrow.”

へんしん!スグナクマン
Insta-Tears Man, Transform!
作:川北 亮司(かわきた りょうじ, Kawakita Ryōji)
絵:藤本 四郎(ふじもと しろう, Fujimoto Shirō)
Level 3 本, 85 pages, 2,500 words (est.)

Yoshio is a first grader who’s getting bullied every day; the other kids call him “Insta-Tears Man” because he cries three times a day. His parents don’t have much in the way of advice for him besides “You’ve got to buck up!” and even his friend from preschool considers him babyish. But he does solve the problem in, let’s say, a way that probably wouldn’t be used if this was a textbook for respectable adults. It’s interesting to me that there’s a subtle class element in this book: Yoshio’s mom works at a pachinko place and his dad is a taxi driver, and the first one of these jobs is something he specifically gets teased for.

おおかみなんてだーいすき
I Love You, Big Bad Wolf!
作/絵:木村裕一(きむらゆういち, Kimura Yūichi)
Level 3 本, 77 pages, 1,200 words (est.)

A bunny moves into a lovely little house on a hilltop; this makes her a target for the neighborhood wolf. But somehow he can’t find an opportunity to eat her, as she keeps him busy with helping her with housework, eating her cooking and even comforting her when she’s down.

きつねのスーパーマーケット
The Fox’s Supermarket
作:小沢正(おざわただし, Ozawa Tadashi)
絵:西川おさむ(にしかわおさむ, Nishikawa Osamu)
Level 3 本, 72 pages, 1,600 words (est.)

While waiting for her mom to finish shopping, Michiko notices a fox pushing a cart full of boxes; following him, she finds her way to the Fox’s Supermarket and gets a personal tour of all the wonderful gadgets there. This is the kind of level 3 book I like best: it’s got a fun story (well, there’s not all that much to the actual story, but it’s great to follow along with the tour of the store because the stuff on sale is so fantastic) and it’s also has a lot of great examples of polite salesman speech.

スパゲッティがたべたいよう
I Want Spaghetti!
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1,400 words (est.)

I’m reading all these books about Acchi the cooking ghost, but I’m reading them quite out of order, apparently; I would guess this is the first in the series, back from his days as a fearsome monster.

フルーツポンチはいできあがり
Your Fruit Salad Is Done!
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1,400 words (est.)

Acchi helps the mouse Chi make fruit salad for his twin brother Ki, who’s sick; the touching scene makes. Acchi wish that he had a little brother, too. If you read the Japanese title you might think I’m quite mistaken in translating it as “fruit salad” — but what he makes really is more like an American fruit salad than our fruit punch.

カレーライスはこわいぞ
Curry Rice is Pretty Darn Scary!
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1,400 words (est.)

Acchi the ghost is so thoroughly domesticated by now that a pair of mischevious mice have started sneaking into his room while he sleeps, tickling him and treating his tummy like a taiko drum. His friends come to the conclusion that it’s because he doesn’t look scary due to his habit of only eating sweets. So it’s time for a diet of super-spicy curry rice to regain some of that scariness…

ぼくのおなかがしろいわけ
The Reason My Belly Is White
作/絵:熊田 勇(くまだ いさむ, Kumada Isamu)
Level 3 本, 78 pages, 1,000 words (est.)

Tam oversleeps and breaks a promise to his friends; in the process of trying to make it up to them, he gets stuck up a tree. Very basic for a level 3 book, but cute.

おばけのコッチ ピ ピ ピ
Kocchi the Ghost: *whistle* *whistle* *whistle*
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 77 pages, 1,400 words (est.)

Apparently there are even more of these ghosts! Socchi will show up soon, so now’s as good a time as any to point out that あっち, そっち and こっち mean “way over there,” “over there” and “over here” respectively. I imagine that Acchi picked up his name from people saying things like “Look over there, a ghost!” or “Go away, ghost!” But the rest of them, maybe it’s just a cute name by now? In any case, in this installment we meet Kocchi, a ghost who works in a barbershop. A ghost in a barbershop is all kinds of useful – for example, he can make himself invisible and hold down squalling children while they get their hair cut.

おばけのアッチ ねんねんねんね
Nighty-Night, Acchi the Ghost
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 77 pages, 1,400 words (est.)

This year, too, Acchi has to spend Christmas all alone, as all of his friends are going to be with their families, and rather uncharacteristically none of them get the hint that he’s going to be lonely. So he decides to party with Santa instead, and he designs a bunch of foods intended to force Santa to eat long enough to stay with him, such as spaghetti made from a single strand that’s long enough to wrap around the earth.

おばけのアッチ スーパーマーケットのまき
Acchi the Ghost and the Supermarket
作:角野栄子(かどのえいこ, Kadono Eiko)
絵:佐々木洋子(ささきようこ, Sasaki Yōko)
Level 3 本, 86 pages, 2,100 words (est.)

Acchi and his friends want to play hide and seek, but Bon, the stray cat, insists on going to the new supermarket. However, a greedy ghost and two mice can’t help but cause trouble in a place filled with so many great things…

こまったさんのシチュー
Miss Oh-No’s Stew
作:寺村輝夫(てらむらてるお)
絵:岡本颯子(おかもとさつこ)
Level 3 本, 73 pages, 1,500 words (est.)

Komatta-san runs a flower shop, and one day, an order for tulips leads her on a whimsical journey with a young boy from Nigeria, who cooks her Nigerian stews. The only part I really enjoyed was the afterword about the author’s travels, which adds about 450 words, and also the fact that okra, which I would have guessed would be written in katakana, was in hiragana: おくら.

こまったさんのカレーライス
Miss Oh-No’s Curry Rice
作:寺村輝夫(てらむらてるお, Teramura Teruo)
絵:岡本颯子(おかもと さつこ, Okamoto Satsuko)
Level 3 本, 73 pages, 1,500 words (est.)

Another quirky, silly book about Miss Oh-no and her culinary hallucinations. Once again the best part is the author’s note (which adds about 450 words), where he talks about curry he’s eaten in various locales. If he wrote a kid’s book about eating curry in Africa I’d totally read it but the actual story, although cute, is pretty weak sauce — although good practice for cooking-related words and fantastic imagery.

わかったさんのアイスクリーム
Miss Got-It’s Ice Cream
作:寺村輝夫(てらむらてるお, Teramura Teruo)
絵:永井郁子(ながいいくこ, Nagai Ikuko)
Level 3 本, 79 pages, 2,300 words (est.)

Miss Got-it suffers a whimsical hallucination about gathering ingredients and making ice cream. I generally prefer less fantastic books, but it can be nice to test your faith in your own ability to comprehend strange language using this sort of nonsense material.

しんこころにのこる 1ねんせいのよみもの
New Stories for First Graders That Remain In Your Heart
監修:長崎 源之助(ながさき げんのすけ, Nagasaki Gennosuke)
Level 3 本, 119 pages, 5,300 words (est.)

I’m intending to write a longer post about this book, and I’ll link to it when it’s done.

おばけのアッチ こどもプールのまき
Acchi the Ghost: The Kid’s Pool
作:角野 栄子(かどの えいこ, Kadono Eiko)
絵:佐々木 洋子(ささき ようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1,400 words (est.)

Faced with the reality of a crowded public pool, Acchi the ghost and his stray cat friend Bon fantasize about an awesome water park for kids.

おばけのソッチ ぞびぞびぞー
Socchi the Ghost: *screech* *screech*
作:角野 栄子(かどの えいこ, Kadono Eiko)
絵:佐々木 洋子(ささき ようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1,400 words (est.)

Socchi loves to sing but needs, shall we say, some practice to win an upcoming singing contest, so she infiltrates a first grade music class for pointers.

バスにのってはじめてのおつかい
My First Time Taking The Bus On An Errand
作:としま かをり(Toshima Kaori)
絵:岡本 美子(おかもと よしこ, Okamoto Yoshiko)
Level 3 本, 94 pages, 1,600 words (est.)

This book’s title is deceptively bland — it’s actually a moving, mildly supernatural tale about a second-grader named Yui who takes the bus to her grandmother’s house all by herself for the first time, to bring her grandmother some of her favorite kinako mochi. (I went a good four-fifths of the book thinking that was kinoko mochi, and thinking that was a very specific sort of favorite food to have.) On the way there, she meets a strangely-dressed girl with bobbed hair, who’s carrying a treasure of her own… It’s one of the better level 3 books I’ve read.

おばけのコッチ あかちゃんのまき
Kocchi the Ghost: The Baby Book
作:角野 栄子(かどの えいこ, Kadono Eiko)
絵:佐々木 洋子(ささき ようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1400 words (est.)

Kocchi, who lives at a barbershop, is enlisted to babysit one of his clients from the previous day. But acting like a mother is harder than he thinks…

おばけのソッチ 1年生のまき
Socchi the Ghost: First Grade
作:角野 栄子(かどの えいこ, Kadono Eiko)
絵:佐々木 洋子(ささき ようこ, Sasaki Yōko)
Level 3 本, 78 pages, 1400 words (est.)

Socchi, after her adventures with the first grade music class, longs to be able to attend school herself; unsurprisingly, there are a number of obstacles in the way.

 

This is an incomplete list of all the Level 2 books available from Nikkei Bunko, a Japanese-language library operated by the Japanese Cultural and Community Center of Washington; it’ll be updated as I keep reading them.

From Extensive Reading in Japanese, the definition of a Level 2 book:

Level 2: Mainly hiragana and katakana text. If there are kanji, furigana is given for each kanji. The text is longer but still contains a lot of pictures to aid student comprehension. Japanese native readers would be five to eight years old.

I’ve added Amazon links for the benefit of having title images and just in case anyone wants to subsidize my reading, but if you’re interested in ordering any of these, I’d also recommend you look them up on Kinokuniya’s website or YesAsia.com and compare prices and shipping costs. They may also be available at a library near you or be available through inter-library loan; you can look them up at WorldCat.org. Also, all title translations are my own unless otherwise indicated, names are family name first, then given name, and 作 and 絵 mean “author” and “illustrator,” respectively.

100万回生きたねこ
The Cat with a Million Lives
作/絵:佐野 洋子(さの ようこ, Sano Yōko)
Level 2 絵本, 31 pages, 750 words (est.) ★★★★★ Hardcover

This book was recommended to me by a couple of people on lang-8, and quite a few people using 読書メーター (Reading Meter) have read it, so you could consider it one of those thoughtful, classic picture books that appeals to adults, and would therefore be a good book for an extensive reading collection. The cat of the title has lived a million lives, and been mourned by a million owners; he’s never cried once.

いっすんぼうし
The One-Inch Boy
作:長谷川 彰(はせがわ あきら, Hasegawa Akira)
絵:金山 通弘(かなやま みちひろ, Kanayama Michihiro)
Level 2 絵本, 48 pages, 600 words (est.) ★★★☆☆ Hardcover

I don’t know why I felt the need to revisit this story — I guess I’m just a sucker for fairy tales. So-so pictures for this one, but more details compared to the version I read before.

 

This is an incomplete list of all the Level 1 books available from Nikkei Bunko, a Japanese-language library operated by the Japanese Cultural and Community Center of Washington; it’ll be updated as I keep reading them.

From Extensive Reading in Japanese, the definition of a Level 1 book:

Level 1: Hiragana and katakana only. The text is very short, and has one-word sentences, phrases, and some complete sentences. There are plenty of visual aids to help convey meaning. Japanese native readers would be three to six years old.

I’ve added Amazon links for the benefit of having title images and just in case anyone wants to subsidize my reading, but if you’re interested in ordering any of these, I’d also recommend you look them up on Kinokuniya’s website or YesAsia.com and compare prices and shipping costs. They may also be available at a library near you or be available through inter-library loan; you can look them up at WorldCat.org. Also, all title translations are my own unless otherwise indicated, names are family name first, then given name, and 作 and 絵 mean “author” and “illustrator,” respectively.

あいうえおえほん
A – I – U – E – O Picture Book
絵:冬野 いちこ(ふゆの いちこ, Fuyuno Ichiko)
監修:今井和子(いまい かずお, Imai Kazuo)
Level 1 絵本, 40 pages, 500 words (est.) ★★★☆☆ Hardcover

I’m tutoring a friend of mine in Japanese, and since extensive reading is kind of my thing, there will probably be a lot of level 1 books listed in the next few months, as I scope out beginner reading material. It is more difficult to find suitable books than you might expect – I suspect I’ll have a lot to say about this in the future! This one has simple, colorful pictures, a couple of words that start with each hiragana and some related words.