White Dress with Blue Tunic and Forget-Me-Nots for September

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Finally, another birthday dress! I want to fill in the months I never got around to this year as well, but for now I will start at the current date. September’s birth flower (one of them, at least) is the forget-me-not, and its birth stone (again, one of them) is sapphire, making it easy to pick the dress’ predominant color. Adding the necklace on top of it all was kind of gilding the lily, but oh well.

It is only September 4th, but I’m starting to think about October. Last year I did a month of Halloween costumes, and I had so much fun I’m thinking of doing another theme month. I could do another month of random costumes like I did last year, or I could do something more narrowly focused. For example, Brian suggested a month of famous witch costumes – the Good Witch and the Wicked Witch, Willow, the Grand High Witch, Minerva McGonagall and so on. If anyone else has any other ideas, leave a comment! I’ve got all month to think about it.

Bella Swan’s Anne of Green Gables Inspired Wedding Gown with White Satin and Rose Lace from Breaking Dawn

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In the final book of the Twilight series, Breaking Dawn, Bella and Edward get married. Bella, whose parents are divorced, has never really seen marriage as a desirable life goal, doesn’t want people to think she’s pregnant and she worries about branding herself a desperate, vapid girl insistent on getting married right out of high school. Certainly nothing says “commitment” like forsaking humanity and spending eternity with someone, so what’s the point of a wedding? Old-fashioned Edward, however, wants to be married, and Bella comes around to his point of view, starting to consider it natural and happy for two people in love to be married, and to heck with the gossips and disapproval of society and her family. She keeps thinking of Anne of Green Gables, of the simpler time she associates with when Edward would have been young, of the high-necked blouse and long skirt she would wear.

Bella guesses that the inspiration was from 1918 when she sees her dress, Alice replies more or less and Liana tears her hair out. Here I thought we were using an Anne-centric timeline, but only in the miniseries did Anne get married during the First World War — in the books, Anne got married in 1890, according to this page, and WWI was her daughter Rilla’s turn as a heroine. So what does Bella’s dress look like? Victorian-style clothes play a large role in her fantasy of simple romance, and she says, looking at the dress, that it’s just what she imagined. Yet, a dress from 1918 probably wouldn’t have that Victorian high neck, or maybe not even the long skirt. It must also be noted that 1918 is when Edward was transformed into a vampire at the age of 17, so a dress from this age would probably appeal to him more than something his mom would have worn. 1918 would also be about right, if Bella’s mother, who thought the gown looked like something from a Jane Austen novel, was a hundred years off. Then Alice was stage-managing the whole thing, and I have a really hard time seeing her send Bella out in an unfashionable wedding dress. No one does high necks anymore, not even LDS members going for modesty, and long sleeves seem to be relegated to the Éowyn look. So what exactly do we have here? An Anne-style 1890 gown with puffed sleeves? A streamlined, more fashionable but still modest 1918 gown? A modern dress with vintage touches? I’ve been trying to decide for the last week.

So yeah, at this point I think I may have pondered the dress — possibly overthought the dress — more than the author, and it’s been maddening. Maybe it’s like the prom dress: however you see it is right. (Witness the range of Twilight wedding dresses on deviantart.) That means I’m going to stop trying to come up with something perfect and just go with a pseudo-1890s gown, taking Bella at her word that she wanted to dress like Anne and got her wish. But you could just as easily assume that Bella only saw the miniseries, so maybe I’ll draw a 1918 gown too, another day. Trying to combine the two — yeah, I got some pretty funny sketches out of the idea, but I think I’ll pass. In my sketches of this dress, she has her hair down and even though it’s old-fashioned, it’s still romantic and sweet.

1780s White Chemise à la Reine with Blue Silk Sash and Flower Ornament

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Well, now, it looks like the readers of this blog have what you could call a slight preference for The Duchess’ costumes (a lovely gallery of which can be found at the Costumer’s Guide to Movie Costumes); as I write this it’s garnered 66% of the vote, with the other four neatly splitting the remainder. Not much of a surprise, we do like our fancy gowns around this joint after all. The possible list of leaked Oscar winners would be against us, preferring Benjamin Button instead, but that has all the authenticity of, well, a random list on the Internet.

I didn’t see The Duchess, or, sadly, any of the other Best Costume nominees, but I wanted to draw something inspired by its main character, Georgiana Cavendish, not the least because I recently discovered the The Duchess of Devonshire’s Gossip Guide to the 18th Century (and its counterpart concerned with Marie Antoinette) and since I’ve never been much into 1700s fashion before (I love the 1800s, everything before that I’m real vague on) I’ve been enjoying it. Well, lo and behold there is a style of dress that Marie Antoinette started and Georgiana introduced to England, so that seemed to be the right thing to draw tonight. It’s called the chemise à la reine, and it was quite scandalous when it was introduced in the mid-1780s because it was essentially like wearing one’s underwear out in public, not what one expects from one’s queen. A very simple garment, it was really the precursor of the Regency gowns as the waistline inched upwards.

Don’t forget — livedolling the Oscars here, tomorrow! Stick around the comments section and help me decide what to draw. I’ll be looking frantically for streaming video of the red carpet show (more interesting than reloading Getty Images all the time), let me know if you know where to find it.

Lady Clarisse d’Cagliostro’s Second Wedding Gown from Studio Ghibli’s Castle of Cagliostro

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So I adore the Ghibli movies, and since I also adore the original Arsène Lupin it can hardly be a surprise I love the Castle of Cagliostro, the collision of his grandson Lupin III and Hayao Miyazaki. Brian and I watched it again the other day, and it’s definitely one of my favorites, full of action and Lupin getting the better of people. Clarisse here gets two wedding dresses, and I opted for the crown of the first and the dress of the second, because I can’t pull off the thing she wears that covers all her hair unless my paperdoll fans are willing to mutilate their copies of Iris and Sylvia to make it fit.

I have a lot of movies coming up in my future, so tell me what Ghibli movies you like and I’ll paperdoll them a bit…

Halloween Costume Series Day 11: Gypsy Girl’s White Tunic with Purple Embroidery, Violet-Blue Paisley Sash, and Pink and Purple Belled Full Skirt

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Violeta claims she makes up all her fortunes like everyone else and it’s not her fault there’s so much bad luck in this wicked world, but all the same her family won’t let her talk in the future tense. She can never get past “I will” or “Tomorrow” before one of her sisters tackles her and claps a hand over her mouth, none too gently either. They resent her because as the seventh daughter of the seventh daughter of the legendary gypsy mystic Simza, she was supposed to inherit the family powers, and since they were all brought into the world to facilitate her arrival there should have been some payoff for them. Instead, they switch off days shadowing her, protecting their family, their friends, for all they know the world from this lightning rod of misery, their uncanny and dangerous sister. Violeta floated the idea once of billing herself as a sort of goddess of curses, and her mother would have thought it a terrific joke for another of her daughters, Zora perhaps, to make up theatrical fake curses and fleece all those who sought to bring harm on others. Violeta, however, seemed to be at the mercy of some demon that hijacked her tongue when she foretold the future, and her mother had better sense than to try to profit off of such a thing. Even the fortunes she told that sounded positive brought only wretchedness. (Would that she had never told Carmen about that darkly handsome rich man!)

Forbidden contact with the future and silenced by the tender ministrations of her sisters, she pours her energy into other things, trying her best to walk straight on a twisted road. She paints and repaints intricate and vivid patterns on her family’s wagons, she knows all the names and uses of everything that grows in the forests, and she makes up wild, violent dances, stamping the ground with the intensity of a curse.

New poll, and rather a silly one. I drew from my Halloween pile, but all my paperdolls are potential warriors here, so if you want Calamity Jane’s trusty shotgun I’m not going to stop you.

Halloween Costume Series Day 8: Cleopatra White Linen Egyptian Dress with Blue Lotus Pattern, with Jeweled Collar and Red Sash

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I kind of broke my “no research all month” rule for this one, but it is not hard for me to find an excuse to look at ancient Egyptian clothes. This one is vaguely accurate, although I think the lotus pattern may be over the top, there’s no melting perfume cone and the clothes should be sheer anyways, for full royal style. That’s even further than today’s ’sexy Cleopatra’ revelers want to go… I used to want to be an Egyptologist, and I’ve even got a book or two on learning hieroglyphs in the other room. Then I discovered Japanese and kanji. No kidding.

If you’ve already taken my poll and answered “obscure costumes,” can you leave a comment and tell me what kinds of costumes you’re talking about? I’m very curious now, since that category’s done so well. I expected that sexy costumes would be low on the list for this crowd, but I wasn’t expecting that no one would choose ‘pop culture’ for a costume. What, no Jedis in this group? No Jokers? I thought everyone wanted to be the Joker this year…

White Gown from “Mrs. Richard Bennett Lloyd” by Sir Joshua Reynolds, referenced in The House of Mirth by Edith Wharton

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I finished The House Of Mirth the other day, which I had been listening to (specifically this version, read by Elizabeth Klett). I love the book, and the reading was so well done, but… my chores really suffer when I’m listening to a depressing audiobook. When I have one that I can’t wait to return to, I do some dishes or take a walk just to have the excuse to listen to it, but when it’s one, like this one, where you can’t do anything but watch Lily Bart make bad choices, get humiliated and reach for that chloral, and you know what’s going to happen to her and you can’t skim to read faster, it is hard to listen to all twelve hours of it. It’s such a lovely book but oh, so sad…

This dress, then, is a reminder of happier times for Lily, when she triumphed in the tableaux, dressed and positioned as this painting of Mrs. Richard Bennett Lloyd (maiden name Joanna Leigh), painted in 1775 by Sir Joshua Reynolds. She was the hit of the evening: “She had shown her artistic intelligence in selecting a type so like her own that she could embody the person represented without ceasing to be herself. It was as though she had stepped, not out of, but into, Reynolds’s canvas, banishing the phantom of his dead beauty by the beams of her living grace.” There is so much description of character and so little description of physical characteristics in the book that it seems as if this is as close as we get to Lily herself…

The two best references I could find for this dress are this full picture and this detail. Since they’re not as large as I would like and you can’t see all the detail, the dress isn’t perfectly accurate. The sash is, I think, entirely wrong, but for the life of me I cannot figure out how the bunched-up green drapery at the back actually works as part of a dress. I studied it, I sketched it, I brought it into Photoshop and played with the levels and contrast and brightness and it just seems to me like a big clump of fabric stuck to her side, so I decided to turn it into a sash and not worry about it. So please don’t use this in your “House of Mirth” book report, and should you get a chance to see this painting in person, please don’t leave me a comment about how I didn’t get it right. Or if you do, at least take some pictures for me.

So, now I’m listening to Deadwood Dick’s Doom; or, Calamity Jane’s Last Adventure, which means that there are buckskins waiting for Sylvia and Iris…

Very interesting answers to the poll so far, by the way! I wonder how much it would have changed if I had had a “from Go Fug Yourself” option… I posted the link to the Bai Ling green and purple outfit in the first few comments of the final Fug Madness post, and I got a ton of traffic for that post…