Halloween Costume Series Bonus: The Vampire’s Black and Purple Regency Ballgown with Black Lace and Silver Sash

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Now, I like the Good Queen as much as anyone, but the vampire always was one of my two favorites ever since she was drawn. (The other was the gypsy girl, who didn’t make it into the finals even though she has the cutest embroidery on the hem of ther skirt.) So the Good Queen took an early lead, but the vampire was always close behind, catching up right near the end, and when I got back from Thanksgiving festivities she had won with a respectable lead, 28 votes to 22 (with Undead Marie in third place with 15 and Christine last with 12). I think the Good Queen must be furious, but as promised, here’s a victory gown for the vampire.

I saw her gown as being an undefined Regency style, so here’s a ballgown in the same vein (I’m sorry, I can’t help myself). I don’t think it’s nearly as good as the first one, but it’s not bad. I’m tempted to do extra outfits for all of the finalists, as I’ve become quite fond of them, and now I have a proper pencil sharpener I bet a good ghostly court dress would be fuuuuun, and not the slog that Undead Marie’s gown was.

Smoke Grey and Pink Butterfly Gown by Charles James via A Dress A Day

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This dress is based on one of Charles James’ “Butterfly” evening gowns, although I’m not thrilled about how it turned out. Erin from A Dress A Day linked to an ivory, fall-colored version as an example of her dream dress, and I really like this smoky, pink version. I’m thinking about Erin and her blog today because recently she wrote about a new book Outliers: The Story of Success, condensing it into a sentence: ten thousand hours of work will make you an expert in your field, and it has little to do with being “naturally talented.” That, of course, made me wonder what percentage of that I’ve already gotten through. I estimate I spend one to four hours on each new blog post I make here. For example, the Metafilter dress probably took about an hour, because it’s a very simple design, the post itself is mostly a collection of links, and I wanted to get that sucker posted while the posting was good, not three days later when my Metafilter traffic was all gone. Something more complicated like my version of the Star Princess dress? Probably three hours to sketch out and settle on a design, finish the drawing and write the post; that’s not including the time I spent looking at other web sites to see what other versions looked like. For simplicity’s sake, I think I can average it out to about two hours per post. Between this blog, the 2004 one, the Boutique and all the other paperdoll related things I’ve done, I think I can safely say I’ve put in 800 - 1000 hours towards my 10,000.

I’ve been thinking about success in this way for a little while; I’m used to skating by on natural talent, things I already know and short bursts of inspiration, and keeping up with a project consistently feels very unnatural to me. (Although the Boutique was up for a couple of years, I updated it in bursts, not one a day like I try to do now.) It was actually zefrank’s the show that helped me see value in long-term approaches. He did a short video blog for a year, one every day, writing songs, making jokes, inviting his audience to participate, and some of his videos were OK, a lot of them were great, and a couple of them sublime. My style was usually to do something great in a rush, with all my attention, then to be done with it. (Or as I told one of my friends, I do my best work in the grip of an obsession.) the show was really Brian’s thing more than mine, but I certainly took this away from it: a new video every day for a year, even if it wasn’t the best, delivered a greater impact than ten wonderful videos alone. Ten wonderful paper doll outfits, I can do that easily if I’m in the right mood. Beyond that, it gets hard.

A new paper doll outfit every day isn’t easy for a perfectionist. You all see the cute ladybug costume, I see “wow, one of those shoulder thingies is so much bigger than the other, and the lace is so sloppy, and why didn’t I put in the red first and draw in the black dots later, instead of smearing the black into the red parts and getting the shiny part all messy?” But at last count 11 of you voted for it as your favorite. Wow. Someone like me has to stop and think about that, because it doesn’t make sense from my perfectionist perspective. It says to me, this is a good approach, that that ladybug costume was created and I learned from it and someone likes it, and that makes it OK.

I’ve got a lot yet to learn in my remaining 9,000 hours — how to draw humans, obviously, and their annoying hands and feet, how to make fabric look right, how to get the most use out of my 160-some colored pencils and how to draw delicate seafoam and seaweed to wrap around my mermaids. It feels like it’s going to take a while, but hey! I’m only 26. Hallelujah, it’s a brand new day (a-chicka quack quack)

This poll ends the 21st, so do get your vote in. I’m so curious if Miss Daae will pull through with the win, if the dark horse ladybug will be ahead or if my gypsy girl will have some good luck for once.

Blood-Stained Violet Embroidered White Victorian Night Dress from J. Sheridan Le Fanu’s Carmilla

Click for larger version bloody / clean; click for the list of dolls.

So the server held up all right, but I’m still reeling from the Metafilter aftershocks. Usually I get about 400 unique visitors every day, and I was really excited when that turned into 500, late October when everyone was searching for Halloween stuff — how long will it take me to top 2,824?

Even if nothing will ever be as good again, life must go on. I’ve been thinking about all the audiobooks I listened to this year and never did a paperdoll outfit for — just off the top of my head I can think of half a dozen that offered fertile paperdolling grounds. So I think now that the year is coming to a close, it’s a good time to stop regretting the outfits that never were and start making them happen!

This is from J. Sheridan Le Fanu’s classic 1872 vampire novel Carmilla, which isn’t as well known as Dracula but heavily influenced it. I listened to the Librivox version read by Elizabeth Klett a couple months back. Even though it was published so long ago I feel rather like I’m spoiling it, but in any case it’s no surprise that the Carmilla of the title is the vampire, preying on the sheltered and innocent Laura as well as just about everyone else in the town. In one scene she is portrayed as standing at the foot of Laura’s bed, “in her white nightdress, bathed, from her chin to her feet, in one great stain of blood.” As you know, I aim for accuracy in all things. (Brian said he could hardly stand looking at it…)

Now undoubtedly there are those of you out there thinking not “Poor, poor Laura, so near succumbing to the vampire Carmilla!” but instead thinking “Poor, poor night dress, so beautifully made and so sadly stained with Carmilla’s dinner!” Don’t worry, I’ve learned from my experience with the Good Queen. Look, through the magic of paperdolling you can wake up with Laura and be quite sure that it was all a bad dream…

I still haven’t finished my Halloween poll series. I fear that the nightshade fairy has quite an advantage, though…

One Last Dress from My Fair Lady and Two Dresses from Titanic from Liana’s Paper Doll Boutique

Click for the doll.

My apologies, my time management skills have been lacking the last couple of days! So, here are a couple of Boutique dresses instead, and I will draw something new tomorrow. I’m glad I worked on the Boutique so diligently all that time ago, it’ll be a while before I run out of things to post. Anyways, these are the green dress from My Fair Lady and the beaded gown and boarding dress from Titanic.

The other poll is still going to be open for a few days, but I also want to move on to the next batch…

Two More Dresses from My Fair Lady from Liana’s Paper Doll Boutique

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So today I hardly know what to do with myself without a month-long theme. I did make a couple of fixes to the Halloween costumes — the gypsy now has a little bandanna, and the scarecrow has a hat. Plus, the pirate costume legs didn’t work all that well, so I edited that, and also edited the mermaid a bit to fit better. (The nurse also needs editing, so don’t print her out just yet.) Since I didn’t draw anything new, here are some Boutique dresses from My Fair Lady.

Janel tagged me for a meme a while back, and since it is only six things about myself, my apologies for putting it off so long!

1) I speak Japanese at a lower-intermediate level; higher when I’ve been studying, lower when I haven’t been. I feel like I haven’t forgotten most of what I’ve learned, but I need to study to draw it out, so when I haven’t been studying (like recently) it’s not really a skill I can count on. My favorite part is studying kanji, and my very, very long-term goal is to be able to read the Tale of Genji.

2) I can’t really draw anything besides paper doll clothes. Just look at Sylvia and Iris’ feet! (Or, you know, please don’t look at their feet.) Before our cat Maggie died, I was practicing drawing human figures more, but afterwards I lost the desire to draw for a while and then I never got back into it. Now, I’d like to get a second sketchbook and practice drawing hands, feet, all the things I can’t stand.

3) My husband and I have been together for a decade, married for five years; we met online through a website that I had when I was sixteen and he was seventeen. We have the sort of life where, if you filmed part of it for a movie, it would have to be some sort of horror or suspense movie where bad things happen to us, because the first few scenes of our lives are so wonderful you just know bad luck is bound to come into our lives. So far nothing really bad has happened yet, and I’ve quit worrying that the Sword of Damocles is an inch away.

4) I’m a morning person (while my husband would happily wake up at noon and sleep at three or four) and I do my best work in the morning — but I start work at 8:30, so usually I draw after getting off work. And man, if I don’t have a decent idea and the beginnings of a sketch at 8, 9 PM, that’s the time when I post a Boutique dress or two and call it a day…

5) I have been a horrible hermit this year; I have a couple of good friends who moved away, and my parents moved to Washington State, plus I work at home! I’m an introvert, so it doesn’t really bother me, but I think next year I’ll try to be more social…

6) I can’t tell my right from my left easily, I have to make an L with my left hand to know which is which. My mom used to think this was something I should learn not to do, and she bothered me about it when I was driving with her in the car. I still do it, and when we’re together she drives. Someday I may have to drive her around, and then I think I will have to blindfold her.

I’m running out of time for tonight, so I’ll decide who to tag later…

I extended this poll a few days:

Halloween Costume Series Day 18: Evil Queen in Purple, Green and Silver Gown with Ruby Necklace

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Apologies for not putting up one yesterday, our internet connection gave out…

So I sketched this one out thinking “evil queen.” I drew it thinking “evil queen.” I was filling in the pattern on the poison-green dress with glee thinking “totally evil queen, heh heh heh.” And then my husband comes along and says, “ooh, it’s very oceany.”

No, I say, it’s “evil-y.”

“Oceany,” he says. “Like an ocean queen or something.”

So I put the vote to you, paperdoll fans. Who’s right?

By the way, cut a line right down the middle of the collar to make it fit the doll. I didn’t add something indicating that on the doll, sorry!

Halloween Costume Series Day 13: Greek Goddess White Chiton with Blue and Purple Patterns

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Here we have a generic Greek goddess wearing a white chiton, edged with blue and purple patterns. Since it is a costume, call her Hera or Aphrodite or Hestia or whoever, but I don’t think this one quite works as Artemis, not very good for hunting. This one broke the “no research” Halloween rule; it’s modeled after this image from Ancient Greek Female Costume. I should just do a proper costume, which seems to be a rather different beast than a regular old chiton…

Who knew the Green Princess was such a force to be reckoned with? I may have to take another look at her and her story. In the meantime, vote vote vote…

Halloween Costume Series Day 12: Black and Purple Deadly Nightshade Evil Fairy Dress with Red Berry Jewelry

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So for some reason one of my most popular keywords these days is “printable paper dolls deadly night shade.” Hello out there, whoever it is who wants a nightshade paper doll! I hope you enjoy this one.

This fairy is a lackey for the Fairy of Malice, who you can see if you check out my old paper doll page and scroll a bit. And, I think, she also should make those of you who voted for skimpy costumes happy, and those of you who actually cut these paperdolls out sad, because I can’t imagine this being very easy to cut out!

Continue blasting back the zombies through the magic of paperdolls:

Halloween Costume Series Day 11: Gypsy Girl’s White Tunic with Purple Embroidery, Violet-Blue Paisley Sash, and Pink and Purple Belled Full Skirt

Click for larger version; click for the list of dolls.

Violeta claims she makes up all her fortunes like everyone else and it’s not her fault there’s so much bad luck in this wicked world, but all the same her family won’t let her talk in the future tense. She can never get past “I will” or “Tomorrow” before one of her sisters tackles her and claps a hand over her mouth, none too gently either. They resent her because as the seventh daughter of the seventh daughter of the legendary gypsy mystic Simza, she was supposed to inherit the family powers, and since they were all brought into the world to facilitate her arrival there should have been some payoff for them. Instead, they switch off days shadowing her, protecting their family, their friends, for all they know the world from this lightning rod of misery, their uncanny and dangerous sister. Violeta floated the idea once of billing herself as a sort of goddess of curses, and her mother would have thought it a terrific joke for another of her daughters, Zora perhaps, to make up theatrical fake curses and fleece all those who sought to bring harm on others. Violeta, however, seemed to be at the mercy of some demon that hijacked her tongue when she foretold the future, and her mother had better sense than to try to profit off of such a thing. Even the fortunes she told that sounded positive brought only wretchedness. (Would that she had never told Carmen about that darkly handsome rich man!)

Forbidden contact with the future and silenced by the tender ministrations of her sisters, she pours her energy into other things, trying her best to walk straight on a twisted road. She paints and repaints intricate and vivid patterns on her family’s wagons, she knows all the names and uses of everything that grows in the forests, and she makes up wild, violent dances, stamping the ground with the intensity of a curse.

New poll, and rather a silly one. I drew from my Halloween pile, but all my paperdolls are potential warriors here, so if you want Calamity Jane’s trusty shotgun I’m not going to stop you.

Halloween Costume Series Day 2: Violet Blue and Black Witch’s Robes with Runes and Silver Accents

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It seemed to Aithne like she was the only one of the three who bothered keeping up appearances anymore, the only one with any sense of propriety. The things her sisters wore these days! You couldn’t even blame it on a generation gap, as they were all equally old — no — they had positively lost their pride.

It had come to a head two years ago when Medea came to visit, breezing through her door with a tan and a take-out box full of hen’s teeth. First off, she had insisted on being called Madison. (Madison!) Second, she displayed her new cardigan (did she say it was from the End of the Land? Horrid place, she was sure) with wicked, rebellious delight, stretching out an arm as though she expected Aithne to pet it. Finally, she had laughed at her sister’s new robes, remarking that it looked like she had her grocery list written on her hem and that she was totally stuck in the 1800s. Aithne replied that she very well might be, but it was much better than being stuck as a newt, the truth of which she proceeded to demonstrate. Mehitabel had had to step in (and stepping was something she quite liked since she had discovered thousand-dollar high heels — imagine that, going to your kitchen, instead of having your tea come to you, just for effect) to de-newt Medea, since Aithne refused to do so without an apology, and Medea’s communication skills had been reduced to skittering around and switching her tail.

Aithne had had no contact with Mehitabel or Medea since, after yelling at the both of them that the family art was going to hell in a handbasket, a handbasket filled with pastel cardigans and Italian stilettos. They had left in high dudgeon, but she had been proved right by the grave injuries Medea had sustained attempting a ritual wearing her capris and cardigan one day; one does not, apparently, serve a traditionalist entity in modern styles.

For any of you who follow my paperdollverse, I believe that this set of robes is from a new collection from my wizard-world fashion designer responsible for this set of sunset-colored dress robes and this cool-colored set. Aithne is a witch, but she isn’t technically a part of that universe, so she had to go rather a ways out of her way for it and ended up paying quite dearly for it; she believes Medea got off lightly for insulting it.