So I drew a white dress Ginger Rogers wears at the end of Swing Time some time ago, and I never liked how it came out — I drew it a couple of days after watching the movie without much reference, it wasn’t well done to start with and my scanner washed it out. So it’s one of the dresses I always told myself I’d redraw, and then it got to be the number one image on a Google image search for “ginger rogers swing time” and in the second row for “swing time” and people started e-mailing me about how to reproduce it. How embarrassing! The skirt on the old dress didn’t look like it could hardly move, and it was so pale it was like not even a dress at all. Some nights, if the dress takes more than an hour it just isn’t happening, and this must have been one of those nights… Finally, I redrew it tonight, using this video of Never Gonna Dance. You can still see the old drawing, and I’ve got a link to it at the other blog post too, but I like this one much better. Thanks to a reader recommendation I’ve got another Ginger Rogers and Fred Astaire movie waiting for me to watch it, Follow the Fleet, so I’m looking forwards to that!

Click for larger version (Penelope Cruz); Click for larger version (Kate Winslet); Click for larger version (Angelina Jolie); click for the list of dolls.

11:56: And that’s it for this year’s Oscars: thanks to everyone who kept me company! I enjoyed this a lot, I think I’ll do it again next year too.

11:38: I think I’m going to do something really easy tomorrow. Like a mermaid wearing a paper bag.

11:33: Yay for Kate! Wow, I had no idea how the back of that dress worked. Glad my drawing doesn’t contradict it.

11:19: Ohhh, Reese. Talk about a seatbelt strap dress. I really like the shade of blue though

11:17 OK — now I’m exhausted. That’s it for my drawing tonight!

11:07: Just finished Angelina’s black gown, scanning and processing. I think that will be it for the night, I’m tired now. Glad I don’t work tomorrow!

10:57: Oh, excellent, a Bollywood number. Wonder how Wall-E will fit in?

10:27: Yawn. How much longer do we have to go? Ten more categories. I wonder if I can do Angelina Jolie’s dress in that time? Black is easy enough…

10:25: Scanner made a hash out of this one, but oh well. I might have it in me for one more, but it has to be super simple.

10:12: Finished with Kate Winslet’s dress — not perfect but not awful. Scanning and processing.

9:37: I’m not so sure I can pull off Kate, but I’m going to give it a shot…

9:26: Is the sparkly vampire contractually obliged to keep his head down and glower at all times?

9:23: Funny that Tilda Swinton is the one bucking the nude lip trend. I think she looks fantastic!

9:21: Score another one for lavish period pieces!

9:20: Here’s our favorite category, costume design…

9:16: AAGH. Now I finish and post the thing, I find a better picture. I was close but it’s not quite right.

9:13: Here it is, Penelope Cruz’s white lace gown. I can’t promise this is precisely how the skirt works, but I think it’s pretty close. I’m thinking Kate Winslet next, but I need to take a second and look at the new pictures. Oh yeah, yay Wall-E!

9:00: Done with the dress — scanning and processing, up soon. Feel free to suggest my next subject in the comments. I want something with color now!

8:47: EXCELLENT. If I’m drawing the Oscar winner’s gown, I’ll get more traffic. *grin*

8:31: Ohhh, such love for the jazzy Lawrence of Arabia theme. Had to restart Penelope Cruz’s dress but it’s fun. Expect it to be done by 9, 9:15.

8:07 Angelina Jolie went too subtle, I think, but I guess that’s better than ending up on Go Fug Yourself tomorrow…

7:52: OK, I’ve got my first paperdoll subject of the night.

7:47: Well, Kate Winslet is doing the one shoulder strap thing too, but I think it works for her dress…

7:43: Now that is quite a mermaid skirt on Melissa George. I think the fetish-style corset lace-up is jarring, but I like it from the front well enough.

7:41: Sarah Jessica Parker’s dress is growing on me — I think the belt makes it not so much a prom dress, even with that poofy skirt.

7:29: justin.tv is failing me. It’s superfluous considering I have the Getty Images pictures, but it just doesn’t seem the same without the inane chatter in the background…

7:20: Wow, Marisa Tomei also has the seatbelt strap that Eleanor and I don’t like. Just saw a bit of it — looks like there’s something interesting going on with her skirt. Hurry up, Getty Images…

7:09: Great picture of Viola Davis and Taraji Henson — I think both of their dresses are really nicely done. Still haven’t decided who to draw first though.

7:06: Yeah, I’m not a fan of her neckline or one sleeve, but love the rest of her dress.

6:50: Hate the E! football-esque highlight pen — love that color blue on Frieda Pinto.

6:19: Ah — this is how her dress works. It’s a little more than most of them are going to be, I bet, and it reminds me a little of a pinecone, but I like it — I’d just take off the bauble on the belt. And wow, what a train.

6:09: I’m watching at justin.tv now. Did I see a Cinderella-style overskirt gather on Miley? I just got a glimpse…

6:00 PM EST: Welcome to Livedolling the Oscars with Liana. I’ll be your host, once I stop frantically looking for a live feed of the red carpet coverage. I’ll also be using images from Getty Images’ Oscar coverage as reference. I’m not the only one liveblogging the Oscars, but I bet I’m the only one armed with colored pencils and not snark. There are some cute dresses showing up on the red carpet already, but so far they’re all “TV personalities.”

My apologies, my time management skills have been lacking the last couple of days! So, here are a couple of Boutique dresses instead, and I will draw something new tomorrow. I’m glad I worked on the Boutique so diligently all that time ago, it’ll be a while before I run out of things to post. Anyways, these are the green dress from My Fair Lady and the beaded gown and boarding dress from Titanic.

The other poll is still going to be open for a few days, but I also want to move on to the next batch…

So I’m a big Watchmen fan, and it is with some trepidation that I look towards the new movie. When the trailer came out I watched with joy that was dampened when Brian pointed out that everything looked really shiny and, well, essentially too polished and good; for example, the Night Owl of the comic carries a spare tire, who was this dude in a Night Owl costume looking so svelte? I liked to think that it was a flashback to the younger Night Owl, but I’m not so sure. The comic shows that a bunch of humans dressing up and fighting crime is probably not so cool as we might like to think it is; the movie is positioned to show that wow, it really is badass after all. Maybe I’ll be pleasantly surprised, we’ll see.

Of course, I am content to leave most of the obsessing about the content to Brian and the other fanboys and I turn to what I fangirl best, obsessing about the costumes. Already I can tell you I can’t forgive the new Ozymandias — that is, the dude on the far right of this Entertainment Weekly Watchmen cover. My Ozymandias dresses like wacked-out royalty, and it’s not meant to offer protection or hide his identity because he doesn’t need either. So we can get right past that and look at the girls. I’m torn about the original Silk Spectre (Sally Jupiter) — the paperdoll for today is based on her outfit in the comic book, and the new version is even more sexed up — particularly I think the stockings are too over-the-top for her times, although I do like that they connect her outfit to her daughter’s. I like the yellow part better in the movie version, though — very cute and feminine. The original stockings plus the original yellow top would be my favorite version. Laurie’s version of the Silk Spectre outfit I don’t like much, but I wasn’t really a fan of the original version either, so it’s a bit of a wash. I like the new design well enough on its own merits, actually, but I don’t think it fits the setting; Laurie’s mom picked out her costume for her, and her mom would have had an eye for what was sexy and showed off her daughter to best advantage. The movie version of the costume is significantly less soft and vulnerable looking — and really, probably more like what Laurie would have picked out for herself. But it’s too serious; Laurie wasn’t serious about the job of being a superheroine (one that her mom chose for her, essentially) until she was in her 30s.

So Esmeralda got two votes from my call for non-Disney princess characters to draw in the “Jewels” collection style (and I’ve been convinced I must do something with Hyacinth Hippo, incidentally, but not today), so that makes her the winner. I decided that although I like her normal outfit, it was too practical to princessize, so I looked at the dress she wears to dance. In truth, my version is still not glitzed up enough to be a proper part of the Jewels line; if I was sewing a real dress, the proper next step would be to hand it to a team of 7-year-olds along with sequins, laces, a Bedazzler and ropes of pearls and let them go nuts. (I still can’t find any pictures online of the Jewels version of the Disney Princesses, so click here for a scan of my Kleenex box, showing Snow White, Cinderella, Sleeping Beauty and Belle in full Jewels regalia, if a little water damaged. Now, you’ll see why I say mine is too plain — and why I think Sleeping Beauty is wearing a Venus fly-trap.)

So it turns out that Hulu has Some Like It Hot available for free, and I just had to watch it yesterday. Marilyn’s really good dresses have see-through parts, ruling them out for my paperdolls, but I liked this one that she wears near the beginning, even if I’m not quite sure I got the details right.

A weakness of mine, nine or ten years ago when I was drawing dresses like these for the Paperdoll Boutique, was always letting my desire for perfection (or completion, perhaps) take over, ultimately impeding what I actually wanted to do. It wasn’t enough to have one great outfit from a movie: they all had beauty and value and it was only worth doing if I did them all. Ideas and dresses I felt obligated to do crowded my mind and at a certain point it is easier to accept getting nothing done than it is to accept you can’t do everything you want to do. I do this all the time, and not just with paperdolls; I combat this tendency by drawing one thing a day, none if I’m just not feeling it (like tonight *yawn*) and not holding myself responsible for paperdolling every beautiful dress humans have ever created, or feeling guilty if I can’t draw everything waiting for its turn in my head.

But now I look back and I’m sometimes pretty impressed by the dedication I had to chronicling every single bit of something that I felt needed paperdolling. There are five in this group, here are two: and I guarantee you that at the time I felt bad that I didn’t get her dress from the ball.

Brian refused to watch Swing Time with me. More specifically, he said: “I don’t believe this is worth watching just because it’s on some 100 great films list. Do you know how many ‘hundred great films’ lists there are? Obviously someone mistakenly placed this movie on one.” Well, I don’t watch his creepy horror-sci-fi movies, so it works out. Most of our time, our Netflix queues co-exist happily, but on some things, we may never quite see eye-to-eye. (And he was right, he would have hated it. But the dancing was gorgeous…)

This is a dress Ginger Rogers wears towards the end of the movie, most prominent in “Never Gonna Dance.” As may be guessed from the general lameness of the bottom third of the dress, I wasn’t really happy with how it turned out, and I don’t know how the skirt works at all. But, oh well.

Edit (2/28/09): I didn’t like the way this version of the dress came out originally, so I redrew it. The neckline still isn’t quite right, but that’s because the doll’s underwear doesn’t work with the way the dress should be. You can click here for the old version of the dress, or if you want to see the original, you can see how it works on this video of Never Gonna Dance.

“Do you like our owl?”

Yeah, this owl, the Official Kerr Family Owl:

Brian and I saw Blade Runner on the big screen the other day, and it was glorious, much like Rachael’s hair when it’s freed from those tight rolls. I don’t know if the book described really ugly clothes as Ubik did (now there’s a paperdoll I haven’t done yet that cries for a yellow houndstooth poncho and green leather boots!), but if it did the movie was ever so faithful to it. I just about cried whenever there was a closeup on Deckard’s shirt, that thing was perfectly hideous. But this outfit that Rachael wears in the beginning I liked, even if I can’t quite add the achingly noir cigarette smoke, and even if it did turn out a shade more “grey” then “black,” and even if the shoulder pads aren’t quite padded enough…

(Yes, incidentally, Brian is a graduate of the Calvin School of Art…)

I wouldn’t envy you, by the way, if you tried to cut this out and actually put it on a doll. Maybe drop the trailing coin boa on the one side and pretend it goes out behid her instead?