After three years of black and purple mourning clothes, Linnetta’s gown for the masquerade ball — a playful representation of a demon princess — was a blaze of glory. She felt as if its crimson lining was burning her skin, and her cheeks glowed with, if not perfect good health, a fair imitation of it considering all she had gone through. Even after so many near brushes with death and grief, no one was as beautiful as she was tonight: such thoughts consoled her on such a difficult evening. Linnetta bowed her head demurely as she made her entrance at her father’s side, ignoring the buzz of voices. It was distasteful to hear people placing bets on when she was going to die, but she had gotten used to it.

Linnetta found herself trapped in polite conversations with Lady Someone-or-another, and then Duchess So-and-so, and (so it seemed, in the rush of masks and spangles) every woman at the ball; in her absence from society, Linetta had forgotten most of the titles she ever knew, but she’d lost none of her charm. She didn’t really want to talk about her sisters, but whenever a conversation partner made sympathetic noises about her unfortunate loss — five sisters, and so young! — she made grateful noises in return, so each nosy woman could leave feeling like they had comforted poor bereaved Linnetta without actually sharing in her tragedy.

The cursed sisters all should have been there that night, and Linnetta felt their absence keenly, as if she saw them from the corner of her eye. The masked faces were all focused on her, trying to predict the manner by which the youngest and fairest daughter would meet her end, and wondering if it might even be tonight. Linetta ignored them, taking refuge in a cluster of acquaintances. She couldn’t even lose herself in the dance, for it’d be unseemly to be too carefree at her first appearance after her long illness, and the period of mourning.

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… Don’t worry, I’ve written the whole story out in advance this time. In terms of site news, no one has guessed the correct singer / group that I learned to draw gold from. (Hint: look at my about this page link for an idea of possible dates – this isn’t a trick I picked up recently). Also, I’m going to put up a poll tomorrow for week 3 of costumes: please post any suggestions in the comments.

Sorry for missing yesterday – the time went past a lot quicker than it’s supposed to. There is a chance I won’t post tomorrow, but that is because I want my masquerade series to be great and I don’t want to rush it… We’ll see, wish me luck. If I don’t post tomorrow, you have this black and white masquerade gown to keep you company…

The elf dress coloring was suggested by Monica, who guessed my favorite warm color to be Sunburst Yellow (it’s in there, actually, in the gold part). Hope you like it! As before, I’ll color the masquerade dress to the order of whoever guesses this week’s question, and it’s kind of a strange one…
I learned my technique for coloring gold (fabric, metal) a while back, when I tried copying a costume from a specific singer or musical group. Which singer / musical group was it?
Not giving you any more clues than that… One guess per person please!

Leaving the poll on the LOTR costumes up a little longer…

I’m amazed that the first week is almost over… I’m very much looking forwards to next week. I’ve got an idea for next week, and that often means trouble…

Anyways, today we have a dress based off of Goldberry’s initial description in the Fellowship of the Ring. She’s described as wearing a green gown with silver “like beads of dew,” and a belt of gold in the form of flag-lilies with forget-me nots. And as her arms are described as white, I decided she didn’t need any sleeves… So this is just my interpretation of her costume, and if I could have just about anything I’ve drawn as a real costume, I think this might be it. It’s even prettier on the paper, I wish you all could see…

As always, vote in the poll if you haven’t yet… Have I ever gotten this many poll responses before? It’s almost up to 300.

I do believe this is Ivy’s first Mermaid Monday… here’s a nice basic mermaid tail to welcome her into the club. Sometime soon I really should do a tail tutorial… It’s really a lot easier than it looks. I spent more time trying to come up with a top I like, honestly.

The Prismacolor sure is elusive, so OK… I’ll give you a hint. Between today and the 24th, I made extensive use of this color in one of the dresses… and you know it’s not green. Now someone should get it, right?

At this rate, the first week of Halloween will be fairies, but Lord of the Rings – or Ghostbusters, if my husband organizes his forces properly – could make a comeback. So vote in the poll, if you haven’t already!

Brian got Dragon Quest V: Hand of the Heavenly Bride a little while back, and we traded off turns playing it for weeks. In terms of overall plot it’s pulled straight from the big book of RPG cliches – evil dude wants to take over! only the legendary hero can defeat him! queens are kidnapped! – but there’s two things that really make it great. One is “party talk,” where in different situations (entering a new town or dungeon level, for example, or after talking to most NPCs) you can talk to the characters that are in your group. The amount of dialogue this game must have is staggering – imagine writing a different response for all those different characters! It’s amusing because a lot of the time it’s stuff that you, the player, are probably thinking, so hearing it from another character in their own voice can be a little startling. It really helps make the characters real, too, when they have their own takes on situations or wonder about things that you might not even have noticed. That leads into the other thing that makes the game great: the generation system. You start out as a little kid, then time skips forward and you play as an adult, getting married, and then time skips forward again and your children are old enough to go adventuring with you. So it’s not like your character is accompanied by some random red mage, fighter and white mage: you’re almost always with friends, often with family, and they always have some interesting thing to say. For someone like me, who likes story and character interaction better than battle systems and so on, the game was great fun.

In the DS version of the game, you have the option to marry three women: Bianca, your childhood friend, Nera, the kind and gentle daughter of a rich family, and Deborah, Nera’s haughty and blunt sister. The game pushes you to choose Bianca (you have adventures with her in your childhoods, Nera has another guy that loves her, heck, in the old versions of the game if you didn’t choose Bianca her father died) but you can choose any of them. So I did choose Bianca my first time around, but Nera definitely has the prettier dress, and anyways she’s more my type, if I was a male RPG hero. (Although I suspect that playing the game with Deborah around to talk to is the most fun.)

Brian and I went to see Ponyo the other day. It was gorgeous and lushly animated, and for someone like me who loves the sea, the first sequence was just a delight, with the jellyfish and spider crabs and all. Just in terms of the setting and visuals, it’s easily my favorite Ghibli movie, and I’d love to see it again just for how pretty and filled with life everything was. I enjoyed the story, too: Ponyo and Sōsuke really seemed like actual kids and they were so much fun to watch, and if none of the characters were really tremendously deep, they were sympathetic and sweet. All the little details really made the movie special: the octopus trying to figure out a sliding glass door, the sprinkler system Fujimoto used on land, the way Lisa presented the ramen to the kids. The story is a loose adaptation of the Little Mermaid, and if you’re the kind of person who likes this paperdoll blog I bet you’ll enjoy the movie too, so go see it! For an actual review, try Ebert’s review of it or the Star Crossed Anime Blog review.

It reminded me most of Spirited Away, but somehow not as coherent: things that seemed to have a lot of significance were too casually introduced and dropped. Granmammare and Fujimoto were humans, then gods and protectors of the seas, and somehow produced thousands of magic goldfish children, the moon itself drops out of orbit and pulls all the water towards it, and a five-year old’s pledge of love is enough to set the world back right, despite the fact that the environmental changes must have caused horrendous damages and losses of life. (If the moon was essentially making the highest high tide ever, I couldn’t help but wonder what the low tide elsewhere was looking like…) These things felt to me like they were trying to cram some depth and mythology in; things like boys who are also both rivers and dragons worked in Spirited Away both because it was established as a whole different world and because it had a more mature feel to it, but Ponyo seemed to bounce between being light-hearted and solemn. It also seems to me that Ponyo herself is on track to becoming one of those tedious anime females who attaches herself like a millstone to the neck of the male lead character, happy to be entirely without her own goals or thoughts as long as he’s around. Ugh, about the only one of those I’ve ever liked is Misa from Death Note. Well, I like to think that it doesn’t happen quite that way and that she finds joy as a human in addition to Sōsuke’s existence… These are all really just minor quibbles, though — things that weren’t addressed in the movie that bugged me. I still loved it anyways!

This dress is an adaptation of Granmammare’s blue gown – it’s just flat blue in the movie, but of course that’s not quite so much fun for me. Anyways, it changes shape a few times in the movie, so I like to think it can be pretty much whatever she pleases.

I like all of the Ghibli movies, but in general I prefer the ones that skew a little bit older – Only Yesterday and Princess Mononoke over Ponyo and My Neighbor Totoro, for example. I can’t choose between Porco Rosso and and Whisper of the Heart, so they will both be my favorites.

So the masses – relatively speaking, at least, eighty-some paperdoll fans at last count – have spoken, and you want me to draw new things instead of spending my time rescanning old ones. I maintain that if you knew how beautiful some of my old dresses were supposed to be — but new things it is, and I will rescan old things on days when I am feeling lazy.

This is technically a lazy day too: when I was on vacation I got together with my cousin Becky and we got out the Prismacolors for an old-school paperdoll jam session! This gown and another I’ll post tomorrow are the ones I did, and she did two as well which I will post. The gold looks a little flat on this one because I used the Prismacolor gold pencil which doesn’t scan well, but I really like how the blue came out. It looks like it could be a backup for one of my twelve neglected princesses, doesn’t it?

So I said I drew a few prom dresses for the Boutique, and here are the first two of them! I don’t think they’re particularly based on any real gowns, but it’s been a long time…

Johanna at 18th century fashion linked to a sort of museum social networking site, Creative Spaces which is a way to tag, collect and organize works from different museums that are participating. I love this, because one of my biggest issues is, say, looking for gowns from a specific year and going through this crazy avalanche of Google image searches and bookmarks and links to sites I’ve never seen before and links to sites I’ve used before and then forgetting where I saw what. I’m sure there’s some widget I could use to fit with my stream-of-consciousness research style, but in the meantime I like where this is going. If you join up, add me as a contact and then explore the Things Liana Likes notebook!

Now, I happen to know my mom edited this revision of this dress, and therefore it had to be drawn, because my mom’s awesome. I think I ought to ask her to design me dresses more often when I’m feeling unimaginative! She’s also more dangerous with the Prismacolors than I am – she does absolutely gorgeous drawings of flowers and plants on cards, then sends them to people. She jokes that you only get to come to her funeral if you got a drawing from her. Here was her description of the dress:

A sunflower yellow bodice,green peplum with a beyond floor-length skirt done in blended colors of harvest. The hem is heavily decorated with a matching line of Celtic designs in dark blue, with golden accents.

She also has a pair of long dark green gloves that reach halfway up. The back of each hand is embroidered with harvest and Celtic designs. On her feet are soft blue satin slippers.She also has a subtle webbed crystal frill tiara (worn front-to-back)with dripping tiny blue seed pearls. Around her neck is a matching crystal and single pearl necklace.

I guess you have to imagine the satin slippers, and there wasn’t enough space on the glove for a harvest design, but I think this came out really nicely and hopefully close to what Mom was imagining. This is one where I wish I could show you all the original — the harvest colors on the skirt are a lot prettier on the real thing. It made me decidedly twitchy to finish coloring the skirt, then draw patterns all over the hem, but it worked, I think!

As I noted earlier, Brian and I have been watching Firefly (and we just finished the full series plus the movie, so spoil away if you feel the need). I enjoyed it a lot, although I felt that some of the later episodes were rather weak and that the first five minutes of the movie changed a lot of my perception of the whole first season, which is a kind of jarring way to start out a movie. Brian had to pause while I was going “Wait… what?” In general I loved the dialogue and the characters, but the thing that really hooked me was Inara Serra’s costumes. Inara is a Companion, a sort of futuristic geisha or courtesan, and her clothes are amazing. She wears mostly warm colors (lots of reds and golds) and sumptuous fabrics and has this great style, sort of a mashup of Asian and Indian influences with a big dose of 1930s starlet. I want to paperdoll just about everything she wears! Look at this page with her outfits. Brian and I watched the Dollhouse pilot and weren’t all that impressed, but even if the next few episodes aren’t all that great I’ll probably keep watching just because Shawna Trpcic, the same costume designer that did Firefly, worked on Dollhouse as well. (So far most of the costumes are centered around yoga pants, but that tiny white dress Echo wore to the guy’s birthday party was smashing, even if she probably had to tape it to her thighs.)

I’m afraid the banding looks horrible on this one, and the color isn’t all that great either — the real thing is really pretty, if I do say so myself, and the scanned version is a pale imitation. I’ve been putting off the search for a new scanner, but it looks like I’d better get started. If anyone has any suggestions, I’d appreciate them!