Tribal Belly Dance Costume with Green Gold-Trimmed Choli, Red and Gold Hipscarf with Gold Coins and Full Black Gold-Trimmed Skirt

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So I started a belly dance class (beledi, to be precise) a few weeks back. Unsurprisingly, it’s always been something that appealed to me (fancy veils! shiny coins! etc.) but I’m ridiculously uncoordinated, disconnected from my body, overweight, quite self-conscious, can’t tell my right from my left, and in every way am the type of person who should stay well away from dance classes. But once I got over the abject terror involved in stepping into the studio and completing the first class, I was hooked. Hip shimmies are a lot of fun if you’ve got plenty of hip to put into them, for one thing, and the movements are something I can usually do once I watch closely and practice for a bit. Of course I’ll never be a “dancer” in any way; people say “just let go” and “just follow the music” and “don’t think about it” and apparently I walk around in a near constant state of tenseness because all that is impossible for me. In class I feel like I’m translating everything the teacher does into a flowchart for me to follow and when I do something with my body that I can’t explain with words, like pivoting or this one veil move, it’s really quite unsettling for me.

Anyways, as far as I know (and keep in mind I’m a total noob) there are two styles of costumes, cabaret and tribal, cabaret being the highly beaded bra and skirt look and tribal going for a more ethnic, fantasy look. I really like the tribal look, so that’s what I went with for this paper doll. She’s got a green choli, a red hipscarf and a black full skirt, all trimmed with gold and gold coins. I covet the choli I drew for my doll, but I’m not so sure I’d have the courage to wear it!

At the moment, the vampire has pulled ahead… there’s still time for the Good Queen to come back ahead though.

Gold Satin 1814 Regency Gown with White Embroidery from Persuasion by Jane Austen

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Upon reflection I really think the previous white regency gown has to go to someone like Louisa Musgrove, so I just had to draw one that would suit Anne a little better because she totally got robbed. So here’s a gown that’s a shade more sober than the white one, eminently suitable for playing the piano in while everyone else dances. The embroidery and satin only go so far in soothing a sad heart, but I like to think they’re worth a little something.

Why yes, I do love my new pencil sharpener, however did you notice?

So the latest poll is open for a few days yet, but it has a very clear winner, while this poll just has a couple of days to go and the competition is fierce. Don’t forget to vote in it! Soon we will have the Halloween Costume Battle Royale, too.

Halloween Costume Series Day 14: Christine Daae’s Star Princess Masquerade Costume In Black, Blue and White with Black Domino Mask

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Kathleen asked, earlier this month, that I do one of Christine Daae’s outfits from the Phantom of the Opera, which was a timely request because I recently got the musical soundtrack from the library. (One of the sad things about the times when I am not drawing is that I must mourn the Outfits which Could Have Been. I listened to the original text many months ago, and then I forced Brian to sit with the recent movie version with me. That he endured as a proof of his love, but he was much more enthusastiac about the next Phantom spinoff we watched, The Phantom of the Paradise. Tagline: “He sold his soul for rock’n'roll.” Anyways, I do regret that I didn’t do a paperdoll series of these Phantoms and Christines. But I digress.) So since I got the soundtrack, I’ve been singing along — portions of my brain which went on strike during geometry class apparently devoted themselves thoroughly to memorizing the whole musical, it seems — even getting Brian in on the fun, singing Phantom duets along with him to which we make up the words. He’s joined in with me a couple times as I trilled “Music of the Night” in the shower, scaring the living daylights out of me each time (”didn’t you ever see Psycho?” I asked) and gamely followed along with Raoul’s part to “All I Ask Of You.” (”How can anyone LISTEN to this? No one will FIND you? Your fears are far BEHIND you?” he asks. “Just be quiet and sing it,” I reply perfectly logically and reasonably.)

Of course, for Halloween I must do a Masquerade dress, the first step of which was blithely breaking the “no research” rule once again. The movie dress was a pink concoction; I read somewhere it was supposed to represent the influence of the scarlet-garbed Phantom, but I personally didn’t think it quite worked that way — I thought it just looked too conventional, kind of like “Totally Ingenue Barbie!” although certainly it was very beautiful. The stage outfit was rather more what I would prefer, for a masquerade ball — a blue and pink silver-starred ballet outfit, referred to as her “Star Princess” dress. Here you can see a picture of the costume design sketch, some images from the stage and a fan’s reproduction of the dress, and this forum post includes a discussion of the dress and links to pictures of it from different productions. I liked the shape, but didn’t want to just copy one of them, and so looked to the original text for further inspiration. Now, the thing I should have quite liked to paperdoll from the original text was the Phantom’s “immense red-velvet cloak, which trailed along the floor like a king’s train; and on this cloak was embroidered, in gold letters, which every one read and repeated aloud, ‘Don’t touch me! I am Red Death stalking abroad!’” But as for Christine, the only thing described is her black domino mask, and re-reading that scene, it is such a very dark time for her… So here she is, as my Star Princess for the masquerade, but not the stars giving way to dawn as on the stage; the night has laid claim to this Christine.

We are coming to the end of the zombie slaughter poll, so vote…

Halloween Costume Series Day 11: Gypsy Girl’s White Tunic with Purple Embroidery, Violet-Blue Paisley Sash, and Pink and Purple Belled Full Skirt

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Violeta claims she makes up all her fortunes like everyone else and it’s not her fault there’s so much bad luck in this wicked world, but all the same her family won’t let her talk in the future tense. She can never get past “I will” or “Tomorrow” before one of her sisters tackles her and claps a hand over her mouth, none too gently either. They resent her because as the seventh daughter of the seventh daughter of the legendary gypsy mystic Simza, she was supposed to inherit the family powers, and since they were all brought into the world to facilitate her arrival there should have been some payoff for them. Instead, they switch off days shadowing her, protecting their family, their friends, for all they know the world from this lightning rod of misery, their uncanny and dangerous sister. Violeta floated the idea once of billing herself as a sort of goddess of curses, and her mother would have thought it a terrific joke for another of her daughters, Zora perhaps, to make up theatrical fake curses and fleece all those who sought to bring harm on others. Violeta, however, seemed to be at the mercy of some demon that hijacked her tongue when she foretold the future, and her mother had better sense than to try to profit off of such a thing. Even the fortunes she told that sounded positive brought only wretchedness. (Would that she had never told Carmen about that darkly handsome rich man!)

Forbidden contact with the future and silenced by the tender ministrations of her sisters, she pours her energy into other things, trying her best to walk straight on a twisted road. She paints and repaints intricate and vivid patterns on her family’s wagons, she knows all the names and uses of everything that grows in the forests, and she makes up wild, violent dances, stamping the ground with the intensity of a curse.

New poll, and rather a silly one. I drew from my Halloween pile, but all my paperdolls are potential warriors here, so if you want Calamity Jane’s trusty shotgun I’m not going to stop you.

Halloween Costume Series Day 10: Queen Guinevere’s Gold-Edged Heavenly Blue Kirtle with Flowered Girdle and Crown

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I’ve got to log in for work — but I love you all so I’m posting this real quick with no story or complaining about how I don’t like the girdle. Thanks to rainbowjehan for help (way back when!) with Arthurian garments!

Last call for this poll…

Halloween Costume Series Day 8: Cleopatra White Linen Egyptian Dress with Blue Lotus Pattern, with Jeweled Collar and Red Sash

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I kind of broke my “no research all month” rule for this one, but it is not hard for me to find an excuse to look at ancient Egyptian clothes. This one is vaguely accurate, although I think the lotus pattern may be over the top, there’s no melting perfume cone and the clothes should be sheer anyways, for full royal style. That’s even further than today’s ’sexy Cleopatra’ revelers want to go… I used to want to be an Egyptologist, and I’ve even got a book or two on learning hieroglyphs in the other room. Then I discovered Japanese and kanji. No kidding.

If you’ve already taken my poll and answered “obscure costumes,” can you leave a comment and tell me what kinds of costumes you’re talking about? I’m very curious now, since that category’s done so well. I expected that sexy costumes would be low on the list for this crowd, but I wasn’t expecting that no one would choose ‘pop culture’ for a costume. What, no Jedis in this group? No Jokers? I thought everyone wanted to be the Joker this year…

Halloween Costume Series Day 5: Green Princess Gown with Pink Rose Trim and Gold Lace

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So what if “princess” is possibly the least imaginative costume for anyone past second grade? It’s pretty, and if there’s anything I like in this world it is pretty dresses. I believe, now, that I may be the foremost non-Disney expert on what makes a dress princess-worthy, for these are the kinds of things one thinks about when one draws lots of paper dolls.

I don’t know much about the owner of this dress except that she does like her roses, and I would be surprised if she cultivates them herself as the owner of this pink princess gown does. No, this princess is a bit of a terror, and she insisted that her dress should lend her a sort of mature innocence, that it should be both heavy and light, serious and frilly, and highly becoming to her porcelain complexion and rich brown hair. It it is no coincidence that her dressmaker took a very long vacation after its completion. But this, I think, is not the kind of princess to worry too much about the anguish of such people. I for one hope the dressmaker got far enough away not to hear about the princess saying, at her next ball, “Oh, this old thing? You like it? It’s just an old rag I had lying around in my closet.”

The veil should be cut between the gold part and the white fabric, such that the doll’s head can be slipped through and the gold band goes around the forehead while the veil flutters behind.

Take my new poll:

Halloween Costume Series Day 3: Fancy Lady Pirate In Red, Black and Gold with Plumed Tricorn Hat

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Reading smalltown mom’s blog has put me in a nautical mood, so…

The most powerful pirates wore whatever they pleased, and that was as much of a sign of their power as the fancy ships or fantastic treasures that they posessed. Among the cabal of the fifty or so most elite of the lords of the sea, it was understood that there was no need for artifice or the peacock-like preening of the lesser pirates; when you were that good at what you did, any excess started to look tacky. Captain Christopher Blood, feared master of the legendary Dreadfall, often wore a simple shirt and trousers and went barefoot, making him look for all the world like a new recruit, while Lady Bethany Star was fond of simple shifts without the slightest bit of embellishment. (Since she loved snow white linen and her clothes were so routinely bloodstained, it was actually more efficient to buy a year’s worth of shifts at once than to add the job of washing them properly to her favorite attendant’s duties.)

It was really only those still trying to make names for themselves who fussed over their buttonholes and silks, donning ropes of trade beads and piling feathers onto their tricorn hats until they looked like they might very well fly off themselves. The poorest of recruits with any ambition at all would soon have at least a snazzy handkerchief to show off, even if the rest of his clothes were castoffs older than he was. Extravagant flamboyancy was the look everyone aimed for, but make the mistake of snickering at a young pirate dandy with his waistcoat so adorned with lace it looked like a skirt and you’d be lucky to get away with interesting designs carved down your back and a majority of your fingers.

My pirate girl, Elaine Morgain, is well on her way up. No ship of her own yet, and not as much jewelry as she would like, but she’s got plans. In the meantime, she’s her current captain’s right hand and the second-best shot among the crew, she’s faced down some tricky situations (the most notable of which was surviving being marooned for a month, then having a delicious revenge a full year later) and she’s gained a reputation in certain circles for charisma, ruthlessness and the devil’s own luck. Not bad, she thinks, for someone who started pirate life with a dress barely patched together and a couple of throwing knives. (And yes, throwing knives have a place on a pirate ship. You have to be extra skilled to use them right, though.)

To cut out the left sleeve, cut around the lace, then put the hand over the skirt; to cut out the hat, cut on the white lines. (It may need to be cut past where I have the lines, though. Call it a guideline.)

Take this week’s poll!

Esmeralda’s Red Dancing Dress (Disney Princess Jewels Series Collection, Liana Remix)

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So Esmeralda got two votes from my call for non-Disney princess characters to draw in the “Jewels” collection style (and I’ve been convinced I must do something with Hyacinth Hippo, incidentally, but not today), so that makes her the winner. I decided that although I like her normal outfit, it was too practical to princessize, so I looked at the dress she wears to dance. In truth, my version is still not glitzed up enough to be a proper part of the Jewels line; if I was sewing a real dress, the proper next step would be to hand it to a team of 7-year-olds along with sequins, laces, a Bedazzler and ropes of pearls and let them go nuts. (I still can’t find any pictures online of the Jewels version of the Disney Princesses, so click here for a scan of my Kleenex box, showing Snow White, Cinderella, Sleeping Beauty and Belle in full Jewels regalia, if a little water damaged. Now, you’ll see why I say mine is too plain — and why I think Sleeping Beauty is wearing a Venus fly-trap.)

Crown Collection from Liana’s Paperdoll Boutique

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My apologies, I was quite lazy today and so must resort to crawling through the “Misc” folder of the old Boutique for material. The Misc folder is easily the most interesting one, containing as it does movie replicas, concoctions colored on the computer, outfits other people sent to me and the pets. But I’d forgotten all about these crowns. They must be from later in the Boutique’s history, I think I see the influence of the colorless blender. I think they might work on Sylvia, too…