For those of us in the USA - happy 4th of July! (And for those of you outside the USA, do enjoy the fourth of July anyways…) These are old 4th themed shirts (plus a pair of khaki capris) from the Boutique.
We haven’t seen any fireworks, but I might try to talk Brian into going to see the parade downtown…
Click for larger version; click for the list of dolls.
So when Jill saw my rendition of one of Min’s hats, she asked for me to do her Easter hat, a gorgeous confection (that Brian termed an “ultra-hat” — sorry) that she made to match her dress. That request has since been percolating in the back of my mind until I was reading her blog earlier and saw that she got robbed at a “Mad Hatter” contest.
Paperdolls always make a great consolation prize. In my world, anyways, where they also make good hobbies, gifts and eye candy.
If one was cutting this out, the hat would be cut underneath the brim, right underneath the broad green ribbon; on the large version I put a dotted line there. Krysti will have to tell us if it works anything like how I hope it does!
Click for larger version; click for the list of dolls.
Wikipedia says that “uncritical acceptance of the Annals of Ulster would imply that he [St. Patrick] lived from 373 to 493″ and for the purpose of paperdolling, I can be uncritical. This is my guess at what an upper-class Celtic woman might have worn during the time of St. Patrick. She wears a sleeveless saffron-dyed, heavily embroidered léine, which is a linen tunic, over another light green sleeved léine. At this point, the sleeves, if there were any, were long and straight; the larger sleeves that you might see at a Renaissance fair come later. The green fabric she wears as a cloak is called a brat, and it’s made of wool and edged with gold. She pins the brat with a white bronze penannular brooch, and she wears a woven leather belt.
I cannot say that this is entirely historically accurate; I’ve read about clothes from that time and done my best to make it so, but I’m no expert. I read a lot of great resources about clothing from this time period:
Ceara ni Neill’s Early Period Online
Paul Du Bois’ Book of Kells Images
Clothing of the Ancient Celts
Echna’s Celtic Clothing Page
Crafty Celts
Also, if you’re looking at the dress and thinking “Well, how would someone actually cut that out? Or were hand amputations common in the 5th century?” my advice would be to cut a line between the edge of the sleeve and the cloak and slip her hand through it. This is, of course, if you have already followed my advice (given somewhere…) to cut Sylvia’s hand away from her hip, so that dresses like Margaret Hale’s gown work better.
Brian told me I should have done something for Saint Urho. Maybe next year.
