The poll was messing up, so I changed the poll so people choose from a set, instead of writing in an answer. (If you want to write in, just choose the newest mermaid comment.)
Sorry about that to the two of you who already voted — revote, please, I included your answers!
(Brian, I’m not addressing you, just the other two people :P)
edit: forgot to change the link in the silver mermaid entry. Revote please!
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Before you go on, click here to vote in my new poll, or look underneath the ads on the left-hand side. Either way, VOTE!
Here we have the last of the shiny metal sisters — although I won’t rule out a platinum cousin just yet. (Here’s the copper-tailed sister, and here’s the sister with the golden tail. And don’t forget, you can just hit the “Mermaid Monday” category for all my mermaids.) This mermaid’s tail is silver, and she wears a top made with tattered fabric. You might expect to find more tattered fabric under the sea, but it is actually a design element these days, and not a consequence of water damage. The mermaids use the profits from pearls, coral, sharkskin and rayskin to buy most of their fabric from the elves, who specialize in the delicate, embroidered fabrics that the mermaids adore and have also mastered waterproofing techniques for cloth destined for the seas. The technique has evolved over the years, and now the best fabric treated in this way is still as light and delicate as untreated fabric. It is expensive, of course, but as far as mythological creatures go, mermaids are quite well off; with the exception of their natural predators, they rule the seas and command all the treasure underwater. They also have an amazing pearl-farming setup.
To the mermaid, intentionally tattered clothing such as the shirt the silver-tailed mermaid wears has a sort of romantic, yet melancholy feel. A mermaid waiting for her beloved so long her clothes disintegrate is a common motif, as are the tatters of the martial mermaid battling sharks, or the image of ancient generations of mermaids. This mermaid is part of her kingdom’s Anti-Shark Militia, and she loves to don her favorite frayed shirt for training, her silver tail glinting as she wields her trident.
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So, I follow For Better or for Worse, even though my husband says “If you don’t like it, why do you read it?” And I don’t know why. I don’t like Anthony. I don’t really like Liz all that much anymore. And when, in a piece of hamfisted foreshadowing, Dee found a boxed 1940s wedding dress found behind a rock in a crawlspace, I didn’t really like that either, especially because it was obvious it would clean up as good as new and that it would fit Liz perfectly. But what the heck, I can suspend emotion and reason to appreciate a good dress, and even if I, like srah, would just as soon see Liz run off at the altar, I can deal with seeing her married there if she is wearing a half-decent gown. And then we saw what that moldy old dress looked like.
I don’t like it. Just look at it, no way it’s a 1940s dress, not with the combination of the neckline and the transparent sleeves. That looks like 1970s to me. See, look at this 1975 pattern illustration. That middle dress looks just like it, with shorter sleeves. (And frankly, if her bridesmaids wore those middle dresses, that would redeem the WHOLE strip for me.) I don’t think it’s really flattering on her, either, I don’t like those sleeves or that huge bustle.
And as I was looking at 1940s and 1970s wedding dresses, I got even more disappointed that hers wasn’t a 1940s dress, and how much fun that would have been to draw, and so I thought, well, I’ll draw one anyways! I based it off of this pattern (and the crown off of this one) and actually, I chose it because I think it would have looked good on Liz — I think the neckline would have suited the way she wears her hair when it’s down, and I think its relative plainness and sleekness suit her better than the heavily beaded and gauzy dress she got. I don’t think she seems to be a very frou-frouy kind of person: she dresses pretty plainly, usually, and doesn’t seem to have a high-maintenance style, so I think that this design works as long as she has her hair down, to offset the straight lines of the dress. I actually did a sketch of her in this dress. I think it works on her pretty well, although if she was actually going out and buying a dress, it probably wouldn’t be this one. But then again, it wouldn’t be the one she got either.
And actually, some of those 1970s dresses are completely awesome, in a half-ironic half-awestruck way. I mean, even if they look dated and a little goofy, I still love the romantic style and ruffles more than I like everything being strapless and sleek these days. Just try and tell me this gal’s wedding wouldn’t have been an absolute delight.. And I rather like this one far on the right, with modified sleeves… and I totally feel like I shouldn’t love the middle one here but I do. I guess I could get behind Liz’s dress if it was her mom’s dress, but 1940s, yeah right.
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I drew this just to practice drawing lace. You see, my Anna Karenina gown is one of my favorite ever paperdoll outfits, and if Sylvia is ever to have a ballgown that she can wear beside Anna’s black lace gown with pride, I should make sure I can do lace. Sure, she has Margaret Hale’s, but I just didn’t see her as being the type of girl to wear a huge frothy concoction, and so that’s not what I drew for her. I actually forgot how I did Anna’s lace, so I kind of have to relearn it, but it should be easier to do lace well this time, because I bought a set of the Prismacolor Verithin pencils. You’ve been seeing them all over since I first got them: the gold on Ashe’s wedding dress owes a lot to the dark brown, the embroidery for the St. Patrick’s Day outfit is all Verithin, the blue details on the copper mermaid’s top are done with it as well. You wouldn’t really get intense colors with them like you do with the regular ones, but you can do details so much more easily… If I tried to do the black lace with the regular black, I’d have a black pencil about half an inch long left over, after sharpening it every half second. The only problem is that the only Verithin grey I have is warm grey 20%, and that’s too light on its own to do white lace– I need a 30%, or at least a darker one — and I don’t even know where I can buy them individually. So for today, I did black lace instead of white.
Since I couldn’t do white on white with colored ribbons quite the way I wanted it to work out (my original scheme) I wanted this dressing gown to be totally over the top and fabulous. If I was Scarlett O’Hara or Jennifer Lopez, I would buy this and swan around in it all day long. This is as close to “diva” as I really get!
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I found Min’s blog when she linked to me a while back, and I’ve quite enjoyed perusing her charming vintage hat collection since then. (It’s called “It’s Raining Min,” which always makes me think of warriors falling off a cliff…) I really liked this royal blue pillbox, but what to partner it with? The answer came in a recent A Dress A Day post in which the weird poses of the models were discussed at length. But the outfit, a slim 1960s dress, was cute, so I borrowed the look to go with the hat, and voilà.
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I downloaded Puzzle Pirates the other day — it just looked too cute not to give it a try. And indeed it was very cute, and I played a good deal of it for a couple of days. There’s a lot of puzzles to try, although I only really liked one or two of them, and the world is fun too: you can do puzzles by yourself, but you can also do them as a team, everyone working on a different kind of puzzle to make your little pirate ship sail smoothly, and it’s a lot more fun doing puzzles when you feel like it’s contributing to the speed of the ship or patching up the holes. You can also buy items for your house, or cute clothes to wear, which is where today’s paperdoll comes in.
The game has a lot of different items of clothing you can buy, and then the colors can be customized. Today’s paperdoll is based on a captain’s hat, a buccaneer jacket, flare pants and buckle shoes. One interesting thing about the clothing system is that different colors cost different amounts; this ensemble uses two of the most expensive colors, black and gold, making the estimated cost well over $100,000. Changing the colors to brown, green and white lowers it to about $7,000. So, of course, Sylvia is an admirable pirate, very skilled at plundering and puzzles, and wears plenty of black and gold. (My in-game character wears plenty of white and a shirt she got for free.)
I found this site when thinking about this paperdoll: Quid Pro Clothes, which is the website for one of the in-game tailors. (Players can just do puzzles, like me, or they can get into the metagame and the economy and start their own stores, buy their own ships, etc.) This site essentially removes much of my need to play the game, because of one reason: if you sign up for the site, it lets you play with the clothes without having to spend hours and hours saving the money first. You can also look at other people’s creations; I like this take on the Greek gods.
On a side note, apologies to Mom for driving her crazy today as I enlist her help in resume creation. “Remember it goes like this: letter first, paperdoll second” she says.
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So ze frank is running a game called Color Wars, a Twitter based production. People join groups of their favorite teams on Twitter, then those teams, apparently, participate in goofy challenges. For example, the first one was to dress up in your team “uniform,” whatever that might be, to take a picture of yourself throwing rock, paper or scissors and to post it on Flickr. I didn’t do all that, but I did draw a verygreenteam retro cheerleader uniform (based off of the uniforms in this picture of a 1950s cheerleading group). Of course I’m on the green team — everyone else is, apparently, which makes it slightly less cool than Brian’s favored Clear Team, but what the heck, it’s green and I’m sticking with it. Go Team Green!
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For the Boutique I did four outfits from A Midsummer Night’s Dream — this is Titania’s dress. I can kind of see where I was going with the sleeve construction, but it looks awfully hard to deal with.
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This copper-tailed mermaid is sister to the golden-tailed mermaid we saw a few weeks back, and I suppose there must be a sister with a silver tail in the mix somewhere, because I can’t draw silver either and it’s high time I learned. Anyways, she is a little more fond of decoration than her sister, wearing fine silk and warm-colored precious stones daily. In truth, she is somewhat self-conscious about her tail, since she picked up the idea somewhere that copper is less precious than silver or gold, and she feels a need to compensate with expensive decorations. (Copper tails, actually, are slightly less common than either color, but somehow that doesn’t comfort her. And what’s the most uncommon color? Stay tuned and we will find out in a future Mermaid Monday.)
So I don’t forget, copper colors are, from darkest to lightest: dark umber, sienna brown, burnt ochre, pumpkin orange, mineral orange, peach, light peach and white. And of course, the colorless blender, which makes everything beautiful.
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Brian refused to watch Swing Time with me. More specifically, he said: “I don’t believe this is worth watching just because it’s on some 100 great films list. Do you know how many ‘hundred great films’ lists there are? Obviously someone mistakenly placed this movie on one.” Well, I don’t watch his creepy horror-sci-fi movies, so it works out. Most of our time, our Netflix queues co-exist happily, but on some things, we may never quite see eye-to-eye. (And he was right, he would have hated it. But the dancing was gorgeous…)
This is a dress Ginger Rogers wears towards the end of the movie, most prominent in “Never Gonna Dance.” As may be guessed from the general lameness of the bottom third of the dress, I wasn’t really happy with how it turned out, and I don’t know how the skirt works at all. But, oh well.
